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Finalists: CHORAL ENSEMBLES, 2019-20

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The American Prize wishes everyone safety and health during this difficult time.

 The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce FINALIST choruses for 2019-20 in all divisions. Congratulations!

"Very fine choirs. I am delighted that so many excellent choral ensembles have advanced. Regardless of the final outcome, size of program or location, all deserve finalist recognition..."—DK

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

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NATIONAL FINALISTS: The American Prize in Choral Performance—professional division, 2019-20

mirabai  
Sandra Snow, conductor
East Lansing MI 

Dallas Chamber Choir  
Jon L. Culpepper    
Dallas TX   

Madison Choral Project 
Albert Pinsonneault 
Madison  WI   


NATIONAL FINALISTS: The American Prize in Choral Performance—college/university division,  2019-20

East Carolina University Chamber Singers  
James Franklin     
Greenville   NC   

USD Chamber Singers
David Holdhusen    
Vermillion   SD   

Western Oregon Voices  
James Reddan 
Monmouth  OR   

Baylor A Cappella Choir
Dr. Brian A. Schmidt
Waco  TX   

U Mass Chamber Choir   
Tony Thornton     
Amherst  MA   

Western IL University Singers     
Brian J. Winnie 
Macomb IL   


NATIONAL FINALISTS: The American Prize in Choral Performance—community division, 2019-20

The Helios Ensemble
Benjamin Hansen 
Tucson AZ   

San Francisco Choral Artists 
Magen Solomon, conductor
San Francisco  CA 

Baltimore Choral Arts Society   
Anthony Blake Clark, conductor 
Baltimore   MD  A

Una Voce—The Michael Martin Chorale 
Dr. Michael G. Martin 
Hilliard OH   

Orpheus Club Men's Chorus    
John J. Palatucci    
Ridgewood    NJ   

Ensemble Companio
Erik Peregrine    
Northeastern US   

Opus 7 Vocal Ensemble  
Loren W. Ponten 
Seattle  WA   

Susquehanna Chorale
Mitchell Sensenig     
Mechanicsburg PA 
Linda Tedford, conductor

Te Deum  
Matthew Shepard
Kansas City  MO   

Illuminati Vocal Arts Ensemble   
Tony Thornton     
Amherst  MA   


NATIONAL FINALISTS: The American Prize in Choral Performance—youth division, 2019-20

Angelica Cantanti Treble Singers
Philip Brown  
Bloomington  MN   

Notre Dame Children's Choir  
Dr. Mark Doerries     
Notre Dame   IN   

Parker Elementary School Chorus  
Marianna Parnas-Simpson   
Houston  TX   

Fifth Avenue Falcons   
Shawn M. Small  
Lebanon  PA


NATIONAL FINALISTS: The American Prize in Choral Performance—high school division, 2019-20

Goose Creek HS Chamber Choir 
Jordan D. Boyd   
Goose Creek  SC   

Urbandale Singers
Ted Brimeyer     
Urbandale    IA   

Connetquot HS Concert Choir  
Brad Drinkwater   
Bohemia  NY   

Brearley B-Naturals
Karyn Joaquino     
New York NY   

Willard HS Chamber Choir     
Mark Lawley 
Willard  MO   

Hicksville HS Chamber Singers   
Michelle Shmuel 
Hicksville   NY   

Hilliard Darby Symphonic Choir   
Michael G. Martin, conductor  
Hilliard OH 

Centennial HS A Cappella Choir   
Francis Vu 
Frisco TX   

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We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! Our ensemble has just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in the division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.


  


Winners: MEN in VOICE (opera division), 2019-20

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Schorr as Wotan, Bayreuth
The American Prize wishes everyone safety and health during this difficult time.
 


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners, runners-up and citation recipient of The American Prize in Vocal Performance—men in opera, 2019-20—The Friedrich and Virginia Schorr Memorial Awards. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

Please make us aware of any misprints: theamericanprize@gmail.com

The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America in 2018-19, based on submitted recordings.

The American Prize in Vocal Performance—men in opera (professional division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize Winner
Leo Radosavljevic       
Wilmette IL


Leo Radosavljevic        
Recent Third-Prize Winner of the International Klaudia Taev Competition in Estonia, Bass-Baritone Leo Radosavljevic is making a name for himself as a unique performer in the world of opera. He attended Juilliard from 2007-2013, receiving BM and MM degrees in voice with scholastic distinction, studying with Dr. Robert C. White. While at Juilliard, he sang several operatic roles including Bottom in Britten's A Midsummer Night's Dream, Simone in Puccini's Gianni Schicchi, Tobia Mill in Rossini's La Cambiale di Matrimonio, and Willi Graf in the U.S. premiere of Sir Peter Maxwell Davies’ Kommilitonen!, which won him critical acclaim from The New York Times. Since his time at Juilliard, Leo has performed around Europe and North America as Don Alfonso in Mozart's Cosi fan tutte, with the DuPage Opera Theater in Chicago, and as soloist with Juilliard 415, in their west coast tour and Canadian Broadcasting Company recording of Telemann's rarely heard Die Tageszeiten. Last season he performed the role of Manders in Blitzstein’s Regina with the Opera Theater of Saint Louis, Orbazzano in Rossini’s Tancredi with Teatro Nuovo, and covered the role of Bertrand in Tchaikovsky’s Iolanta with Chicago Opera Theater. This summer he will be performing the bass solo in Beethoven’s Symphony No. 9 with the DePaul Community Chorus and orchestra, and is covering the role of the King in Verdi’s Aida, with Riccardo Muti and the CSO. Leo currently resides in Chicago, Illinois.


2nd Place:
Geoffrey Agpalo   
Evanston    IL 

Geoffrey Agpalo    
Tenor, Geoffrey Agpalo, is praised for his “effortless open sound.” His performances are described as “proud and majestic” with a voice that is “relentlessly tragic.”

Past highlights include the world premier of Jack Perla’s Shalimar the Clown at Opera Theatre of Saint Louis as well as roles in their productions of The Barber of Seville and Tobias Picker’s Emmeline. He also received acclaim for the role of Jim Casy in the new production of The Grapes of Wrath by Ricky Ian Gordon, performed in Saint Louis as well as Michigan Opera Theatre.

Geoffrey is a recipient of The William Matheus Sullivan Musical Foundation Career Grant, the Richard Gadded Career Award and has been a District winner with the Metropolitan Opera National Council Auditions and finalist for the Ryan Opera Center.

Geoffrey Agpalo is a graduate of the University of Central Florida and holds a Master’s degree from Northwestern University.

3rd Place:
Daniel Kamalic  
Rochester     NY

Daniel Kamalic   
Lyric-dramatic tenor Daniel Kamalić has been praised for his “big, stunning voice” (Chris Buchanan, Berkshire Fine Arts) with “exciting, tremendous force and a burnished tonal quality” (Larry Kellum, Town Times). 2017-18 saw international soloist debuts for Mr. Kamalić with the Israel Chamber Orchestra (Der Kaiser von Atlantis) and with the Medulin Classic Festival in Croatia (Trio Veljak), as well as with the New York State Ballet (Carmina Burana), New Opera NYC (The Golden Cockerel), New Rochelle Opera (The Merry Widow), and concerts with Miami Lyric Opera and Opera Theater of Connecticut.  Other highlights:  Lensky in Eugene Onegin (Connecticut Lyric Opera), Luigi in Il Tabarro (Garden State Opera), Turiddu in Cavalleria Rusticana (Pioneer Valley Symphony), Turiddu/Canio in Cavalleria/Pagliacci (Maryland Lyric Opera), Alfredo in La Traviata (Long Island Opera).  An champion of new music, he has performed in numerous opera premieres, most recently the title role in Sawyer’s The Scarlet Professor (Five College Opera) in Massachusetts last season, and the Gestapo Officer in the orchestral premiere of Detrick’s The Yellow Star (Garden State Opera), and the role of Pietro Botto in the upcoming premiere of Santelli's The Silk City (Garden State Opera).  www.kamalic.com

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Congratulations!

Winners: INSTRUMENTAL SOLOISTS, 2019-20

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The American Prize wishes everyone safety and health during this difficult time.


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge,is honored to announce the winners,  runners-up, citation recipients and honorable mentions of The American Prize in Instrumental Performance,2019-20, in professional, college/university, community and high school divisions. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right hand column to find specific results.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

Please make us aware of any misprints: theamericanprize@gmail.com


The American Prize in Instrumental Performance,2019-20 (professional division)

The American Prize winner:
Cora Swenson Lee
Rochester NY 
Cello

Cora Swenson Lee
Praised by the San Francisco Classical Voice for playing "with maturity and panache," Dr. Cora Swenson Lee is a cellist and baroque cellist who performs actively around the United States, including her current city of Rochester, NY. Cora’s most influential teachers have been Eastman School of Music professor Alan Harris, Chicago Symphony member Richard Hirschl, and long-time cellist of the renowned Vermeer Quartet, Marc Johnson.  Cora holds a Doctorate of Music in Cello Performance and Bachelors Degree in Cello Performance with highest distinction from the Eastman School of Music, as well as a Masters Degree in Cello Performance from Boston University College of Fine Arts.

Cora is an active and ardent chamber musician. After a performance of Mendelssohn's String Octet with Emmanuel Music, the Boston Musical Intelligencer stated "Swenson Lee, whom I had not heard previously, was a treat to discover, especially in the Presto opening, which is so difficult to get to speak clearly." Cora was named as a 2014-2015 season Lorraine Hunt Lieberson Fellow at Emmanuel Music. During her time as cellist of the Boston Public Quartet, Cora was part of the Celebrity Series of Boston initiative Artists in Community, which brings free concerts and school presentations to several Boston communities.

Cora's early music ensemble, Trio Speranza, concertizes around the United States each season, and in 2014 won the Presentation Prize at Early Music America's Baroque Performance Competition. Cora performs frequently with Emmanuel Music, Boston Baroque, and the Rochester Philharmonic, and has previously appeared with the Handel and Haydn Society and the New World Symphony. Cora has performed in venues across the United States and internationally. Highlights include appearances at the San Francisco Early Music Society, Trinity Church Copley and Jordan Hall in Boston, Quigley Chapel and DePaul University in Chicago, the Cathedral Basilica of St. Louis, and Odori Park in Sapporo Japan.

A passionate educator, Cora is currently Visiting Assistant Professor at Bucknell University and is on the faculties of the Hochstein School of Music and Dance and the Eastman Cello Institute.


2nd Place:
Christopher Leslie
New York NY 
Euphonium

Christopher Leslie
Cincinnati native Christopher Leslie currently serves as a euphonium player in the West Point Band. He has been a featured soloist with numerous professional and collegiate groups, including the U.S. Army Band “Pershing’s Own,” the University of Georgia Wind Ensemble, the Indiana University Wind Ensemble, the St. Olaf Orchestra, and the St. Olaf Band. He has garnered success in numerous national competitions, taking first place in the Leonard Falcone International Euphonium Competition, the ITEC Artist Solo Competition, and the U.S. Army Band National Collegiate Solo Competition.

Leslie earned a Bachelor in Music Education with Distinction from St. Olaf College, a Master in Music and a Performer’s Certificate from Indiana University’s Jacobs School of Music, and a Doctorate of Musical Arts from the University of Georgia. His mentors include David Zerkel, Philip Smith, Daniel Perantoni, David Werden, and Hiram Diaz.

Leslie is a Willson Artist and performs on a Willson 2900TA.


3rd Place (there was a tie):
Mili Chang 
Jersey City NJ 
Flute

Mili Chang 
Hailed for her “beautiful tone and playfulness, even Gallic charm, to the concerto for flute by Jacques Ibert.” by The Well-Tempered Ear, internationally known flutist Mili Chang received her DMA from UW-Madison and MM in Historical Performance from The Juilliard School. She has received awards including scholarships from The Juilliard School, the winner of National Flute Association Baroque Flute competition, and three-year full-ride Paul Collins Fellowship at UW-Madison. Mili specializes the historical performance practice in the Baroque era. Her solo with renowned Juilliard 415 with guest conductor Ton Koopman received praise in Bach’s b minor mass “…whose traverso playing in the Credo’s Benedictus was fluid, elegant, and well, just lovely.” She has performed with many Grammy Award recipient and nominees’ such as violinist Monica Huggett, tenor Aaron Sheehan, keyboardist Richard Egarr.  She has appeared in festivals and radios such as Boston Early Music and WQXR.  She is on the faculty of New Jersey Performing Arts Center.


3rd Place (there was a tie):
Sam Nelson
Sarasota  FL 
Organ 

Sam Nelson
Sam Nelson was born in Lynn, Massachusetts and held his first church organist position at the age of 12. He earned a Bachelor of Music degree in Organ Performance from Gordon College in 2011 under the tutelage of Dr. Roy Brunner and Mr. Douglas Marshall. In 2012 he won second prize at the Albert Schweitzer Organ Festival. In 2018, he completed a Master of Music degree at Boston University under the tutelage of Peter Sykes. Sam was the organist at Washington Street Baptist Church in Lynn from 2002 to 2013, Music Director at St. Paul's Episcopal Church in Lynnfield, MA 2013-2019, and is currently the Assistant Organist and Choirmaster at Church of the Redeemer in Sarasota, FL--the largest Episcopal church in the Diocese of South West Florida. In addition to his full time church posts, Sam has been a regular substitute at Park Street Church in Boston since 2007. www.SamNelsonMusic.com



The American Prize in Instrumental Performance,2019-20 (college/university division)

The American Prize winner:
Nicholas Buonanni
Lansing MI 
Flute

Nicholas Buonanni
Nicholas Buonanni is a multifaceted performer who has competed in numerous international competitions. He was the winner of the 2017 Donald Peck International Flute Soloist Competition and runner-up for the 2019 RAFA Flute Artist, 2019 NFA Alto Flute Artist, 2019 Kujala International Piccolo Soloist, and 2018 International Alto Flute Competitions. Nicholas has been a winner of the National Flute Association Convention Performer and Master Class Performer Competitions in 2017 and 2018. As a soloist, he has performed with the Camerata Michigan, MSU Symphony Band, and UCF Wind Ensemble. Nicholas is an active orchestral musician, serving as Performance Fellow with the Jackson Symphony Orchestra, and regularly performing with the Lansing, Flint, Southwest Michigan, and Chautauqua Symphony Orchestras. Originally from Orlando, Florida, Nicholas studied with Dr. Nora Lee Garcia at the University of Central Florida. He is currently in his final semester as a Doctoral Candidate at Michigan State University, where he studies with Richard Sherman. 


2nd Place:
Sooah Jung  
Rochester NY 
Violin   

Sooah Jung  
As an acclaimed soloist and chamber musician, Sooah Jung has appeared throughout North America and South Korea. Her performance highlights include solo recitals at the Eastman School of Music and the Hochstein School as well as concerto performances with Colorado College Music Festival Orchestra, Penn State University Philharmonic Orchestra, Ewha Womans University Orchestra and Korea National Police Orchestra. Her performances in the Hochstein and the Penn State were broadcast live on a local radio and online.

She is a prizewinner of numerous distinguished competitions including Sungjung Music Competition, Korea & America Music Competition, Sookmyung Music Competition, Daehan Cultural Institute Competition, and concerto competitions at the Colorado College Music Festival, Penn State University, and Ewha Womans University. She was also privileged to work with great musicians including Don Weilerstein, Scott Yoo, Andrew Wan, Lina Yu, Brentano Quartet, Ying Quartet, Tafelmusik Baroque Orchestra, and Takács Quartet in masterclasses.

She graduated from Seoul Arts High School and Ewha Womans University in South Korea and completed her Master’s degree at the Eastman School of Music, where she continues her studies with Oleh Krysa as a candidate for the degree of Doctor of Musical Arts.


3rd Place (there was a tie): 
Logan Fox
Greenwood IN 
Percussion

Logan Fox
American percussionist Logan Fox is establishing himself as a rising star in the solo percussion world. As the winner of the prestigious 2018 Aeolian Classics Emerging Artist Award, as well as being one of the First Prize winners of the CCPA Concerto Competition, Mr. Fox recorded the 2015 edition of Emmanuel Séjourné’s “Concerto for Marimba and Strings,” accompanied by the CCPA String Ensemble for his solo album “Wood, Metal and Skin”, which can be listened to on all major music streaming services. Logan also transcribed and recorded two Venezuelan waltzes originally written for guitar by Antonio Lauro for his album as a means of his own personal tribute to the Venezuelan nation.

Mr. Fox feels at equally at home in a broad array of musical genres, from Afro-Cuban to orchestral playing, and his instrumental fluency varies widely, spanning repertoire for congas, timpani, xylophone, marimba, and snare.

Mr. Fox recently completed the requirements for his Master’s Degree in percussion performance under the tutelage of Vadim Karpinos and Edward Harrison at the Chicago College of Performing Arts, and he holds a B.M. in music performance from the University of Indianapolis where he studied with Paul Berns graduated Magna Cum Laude and won the UIndy 2016-2017 Concerto Competition.

Mr. Fox recently won a position in the United States Marine Field Bands and will be shipping out to Marine Recruit Basic Training in October of 2020. 


3rd Place (there was a tie):
Rajan Kapoor
Hebron CT 
Cello 

Rajan Kapoor
Cellist Rajan Kapoor is an avid solo and chamber musician who has performed throughout the United State, Europe, and the Caribbean. Rajan is currently pursuing a Doctor of Musical Arts degree at The Hartt School under the tutelage of Professor Mihai Tetel while working as a teaching artist with the Worcester Chamber Music Society. Rajan recently received 1st Prize in the 2018 Grand Junction Symphony Young Artist Competition which culminated in performances of the Elgar Cello Concerto with the orchestra, under the baton of Charles Latshaw, in the fall of that year. He was also recently awarded 1st Prize in the 2018 Connecticut Bach Festival Competition. Rajan has gained additional recognition in the Hellam, Mondavi, and Orchestra Noir Young Artist Competitions and plays on an 1855 Goldmann cello generously loaned to him by the Carlsen Cello Foundation. In 2017, Rajan co-founded the concert series An die Musik NYC and currently serves as the organization’s assistant director. Please visit kapoorcello.com to learn more.


The American Prize in Instrumental Performance,2019-20 (high school division)

The American Prize winner:
Aaron Hsia  
Santa Clara CA 
Violin 

Aaron Hsia  
Aaron Hsia started playing the violin since he was four years old and is currently studying with Zhao Wei at the San Francisco Conservatory of Music pre-college division. Aaron has won many awards, including second place at the Chinese Music Teachers Association of Northern California (CMTANC) international competition, third place at the United States International Music Competition (USIMC), first place at the Bay Area Music Association (BAMA) competition, first place at the Silicon Valley Philharmonic Youth Music Competition, and first place at the United States Open Music Competition (USOMC). Furthermore, Aaron’s piano trio (Trio Cantare) won third place at the 2018 Galante Prize Competition. During the Christmas of 2017, Aaron played a concert with International Tchaikovsky Competition winner, Haik Kazazyan, in Taiwan. In addition, Aaron attended the Boston University Tanglewood Institute (BUTI) during the summer of 2018. Aaron is currently a member of the San Francisco Symphony Youth Orchestra.


2nd Place:
Christian Wong  
Huntington NY 
Violin
 
Christian Wong  
CHRISTIAN WONG, sixteen years old, has been studying the violin since 2010, in addition to taking piano lessons. He has performed on both instruments in St. Petersburg, Russia, at the Museum of Theater and Music, and at the baroque-era Alexander Nevsky Lavra. Christian has also performed at Carnegie Hall’s Weill Recital Hall, Merkin Concert Hall, Bruno Walter Auditorium at Lincoln Center, Engelmann Recital Hall at the Baruch Center for the Performing Arts, the Catholic University of America in Washington DC, the Steinway Gallery, and the historic Chandler Hall in Vermont. In 2015 and 2016, Christian has performed in the first violin section as the youngest member of the Concert Festival Orchestra, and was also one of their featured soloists. In addition, he has been featured as the Next Generation Artist multiple times by the forty-five year old Omega Ensemble and has performed at several of their annual benefits. More recently, he has had master classes with Mr. Earl Carlyss, Mr. Daniel Phillips, and Ms. Hsin-Yun Huang. In  2018, he joined the CMC and NYYS chamber music programs.


3rd Place (there was a tie):
Phoebe Wang  
Englewood CO 
Cello  

Phoebe Wang  
Phoebe Wang was born in Colorado in 2003. She began her cello study at age seven.  Her current cello teacher is James Todd.  She is a member of the Denver Young Artists Orchestra (DYAO).  Phoebe was the winner of the 2014 DYAO String Ensemble Concerto Competition.  Phoebe was also the winner of the 2016 DYAO Conservatory Orchestra Concerto Competition.  In 2017 Phoebe was chosen as a First Place Winner (Junior Category) and Judges’ Distinction Award Winner at the American Protégé International Piano and Strings Competition and performed at the winners’ recital at Carnegie Hall.  Phoebe has appeared on Colorado Public Radio three times; twice in solo performances and once this year with her string quartet.  In 2014 Phoebe co-founded Non-Sibi Strings, a chamber group.  “Non Sibi” is a Latin phrase meaning “not for oneself,” and the group has performed at multiple fundraisers for local charities, nursing homes, and outreach programs. 


3rd Place (there was a tie):
Sheeline Yu 
Brentwood TN 
Violin    

Sheeline Yu 
Sheeline Yu, 16, from Nashville, TN is a junior at University School of Nashville. She is a violin student of Connie Heard at the Blair School of Music, Vanderbilt University. At Blair she is a recipient of the Myra Jackson Blair full merit scholarship and is a member of the Curb Youth Symphony. She was the 2018 and 2019 concertmaster of the TN 9-10 Mid-state Orchestra and was a finalist in the Nashville Philharmonic Orchestra Concerto Competition.

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Congratulations!

Winners: COMPOSERS (vocal chamber music), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.
 


The American PrizeNational Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, chief judge, is honored to announce the winners, runners-up and honorable mention recipients of The American Prize in Composition, 2019-20, vocal chamber music division. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

QUICKNOTES: Although The American Prize does not usually provide written evaluations to semi-finalists, some semi-finalist composers will receive in their certificate packets short comments, suggestions or overall impressions made during the judging. We hope they will prove valuable. All finalists receive written evaluations from a member of The American Prize judging panel.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information. 

Please make us aware of any misprints: theamericanprize@gmail.com


The American Prize in Composition—(vocal chamber music) professional division, 2019-20

The American Prize winner:
William Vollinger  
Woodcliff Lake       NJ       
The Child in the Hole

William Vollinger  
William Vollinger’s music is described as “3D: different, direct and deep.” His music has been published by Abingdon, API, Heritage, Kjos, Lawson-Gould, and Laurendale. Five works were editor's choices in the J.W. Pepper Catalogue. Recent premieres included Jackson State Symphony, San Francisco Choral Artists, Ridgewood Concert Band, Hamilton-Fairfield Symphony, Garden State Philharmonic, Classic V Winds, and Colts Neck Community Band.. Several of his works have been nominated for or given awards by the American Prize. SDG!


2nd Place:
Ehood Gershuni 
Boston  MA        

The Spring and The Fall
Ehood Gershuni 
Udi Gershuni was born in Tel Aviv, Israel. He played Piano from the age of 6 focusing on classical and jazz music. Udi studied at Thelma Yellin high school of arts when he received the Excellence "Keren Sharet" scholarship from the "American-Israel culture fund" for a jazz Pianist. He served as music director at the Air-force military band while continue working on several professional musical theatre productions and TV shows such as X-Factor Israel and Israeli Idol. In December 19 he worked as Music Director of the Bat – Yam Musical Theatre Festival’s opening night. After receiving a full scholarship to study in Berklee, Udi moved to Boston where he studied conducting, composition, musical theatre and film scoring. In October 2018 Udi won the MTNA classical composition contest at the Massachusetts state level and in February 2019 he got the Merit Award from Tribeca national competition.  


3rd Place:
Ralf Yusuf Gawlick  
Newton  MA       
Herzliche Grupe Bruno~Briefe aus Stalingrad 

Ralf Yusuf Gawlick  
Ralf Yusuf Gawlick, of Romani-Kurdish descent, was born in Germany in 1969. His works include solo, chamber, orchestral and choral music, traversing a wide range of styles and often exploring aspects of his complex international heritage. His music (www.ralfgawlick.com) has been commissioned and championed by a wide range of artists and organizations, attracting international acclaim from audiences and critics. In recent years his eight-voice Missa Gentis Humanæ, song cycle Kollwitz-Konnex and the autobiographical string quartet Imagined Memories have exemplified his diverse output, with its frequent references to the highlights of the Western musical canon and rigorous compositional standards. His music, published by several firms, has been performed internationally (in venues including Vienna’s Musikverein, New York’s Carnegie Hall) and is recorded on the Musica Omnia label in composer-supervised performances by the works’ dedicatees. A professor at Boston College, Ralf Gawlick lives in Newton, MA, with his wife and fellow musician, Basia.


The American Prize in Composition—(vocal chamber music) student division, 2019-20

The American Prize winner:
Theophilus Chandler 
Hillsborough  NC       
Two Taylor Songs 

Theophilus Chandler 
Theo Chandler is a Houston-based composer, currently pursuing his Doctorate of Musical Arts at the Rice University Shepherd School of Music. Chandler is the recipient of the Charles Ives Scholarship from the Academy of Arts and Letters, the Graduate Music Award from the Presser Foundation, and a Morton Gould Award from ASCAP. He has been a fellow at Britten-Pears Young Artist Programme, Mizzou International Composers Festival, Tanglewood Music Center, Copland House CULTIVATE, and Aspen Music Festival. He has been the Young Artist Composer for Da Camera, Emerging Composer Fellow for Musiqa, Composer in Residence for Les Délices, Composer in Residence for the Maryland Wind Festival, and the Young Composer in Residence for Detroit Chamber Winds and Strings. Chandler has received commissions from the New York Youth Symphony First Music Program and Tanglewood Music Center. He received his previous degrees from The Juilliard School and Oberlin Conservatory.


2nd Place:
Martin Hebel   
Hamden  CT      
Dulce et Decorum Est

Martin Hebel    
Martin Hebel composes expressive, emotionally direct music for a wide variety of ensembles.
  
In his orchestral compositions, Martin explores strategies for engaging new audiences, seeking to enrich and enhance concert experiences for contemporary listeners, combining varied traditional symphonic forms with his contemporary harmonic language.

Martin Hebel’s Symphony No.3 in E Minor: Concert in Three Acts, second place winner of the 2019 American Prize and National Finalist in the 2015 Morton Gould Young Composer Awards, was recorded by Mikel Toms and the Brno Philharmonic Orchestra and released internationally in August 2016 by ABLAZE Records. 

Born in Hamden, Connecticut in 1990, Martin Hebel received his M.M. in composition from the University of Cincinnati College-Conservatory of Music in 2018 where he studied with Douglas Knehans and Ellen Ruth Harrison. He graduated with honors from the University of Connecticut in 2015, where he studied composition with Dr. Kenneth Fuchs.


3rd Place (there was a tie):
Hans Bridger Heruth  
Liberty   MO        
How do I love thee?  

Hans Bridger Heruth   
HANS BRIDGER HERUTH (b. 1997) is an award-winning composer whose music has been praised as “lovely and delicate” (The American Prize) and for having an “invigorating richness” (KC Metropolis). In addition, he is a conductor, pianist, singer, and violinist of distinction, pursuing a Bachelor of Music in Composition at the University of Missouri. As a composer, his works have been performed by many different ensembles, most notably the KC Vitas Chamber Choir, the Show-Me Opera Program, and Deviant Septet. His chamber opera, “A Certain Madness”, was premiered with great acclaim and to sold out houses – based on Sir Arthur Conan Doyle’s famous detective, critics raved “Sherlock Holmes has never sounded so good” (KBIA). His current projects include a new work entitled “Wytchkraft” for the St. Louis Symphony Orchestra under the direction of Gemma New. Heruth has studied composition with Stefan Freund, Ian David Coleman, Paul Seitz, and W. Thomas McKenney.


3rd Place (there was a tie):
Patrick Andrew Thompson
Jersey City          NJ      
Night, Sleep, and the Stars

Patrick Andrew Thompson 
Patrick Andrew Thompson (patrickandrewthompson.com) is a composer of dramatic musical narratives. Described as “a musician bursting with ideas,” (Atlanta Journal Constitution) he strives to carefully craft works of great emotional breadth and immediacy, marked by colorful, poignant harmonies, rich textures, and constant evolution.

His pieces have been performed and read by a wide range of ensembles including So Percussion, the Dover Quartet, the College of New Jersey Wind Ensemble, the Peabody Modern Orchestra, and the Princeton University Orchestra. Current projects include a piece for the Beo string quartet and a solo marimba commission for Robert Rocheteau. He was a composition fellow at the Brevard Summer Institute in 2018.

Patrick currently studies with Kevin Puts while completing an MM in composition at the Peabody Institute.  He has an AB in Mathematics from Princeton University, where he also studied composition and orchestration with Paul Lansky and Steven Mackey.


Honorable Mention—Career Encouragement Citation:
Daniel Whitworth  
Highland Park        IL       
Not Our Kids: A Fox News Operetta

Daniel Whitworth  
Daniel Whitworth (b. 1996) is an award-winning composer and saxophonist dedicated to expanding the relevancy and accessibility of contemporary music. He is working towards a bachelor’s degree from Lawrence Conservatory of Music where he studies primarily with composer Asha Srinivasan and saxophonist Steven Jordheim. Daniel is the recipient of several awards, most recently winning the Lake George Music Festival Composition Competition where he was invited to serve as the composer-in-residence for the 2019 season, and the first prize winner of both the 2018 Frost International Composition Competition and the 2018 Wisconsin Alliance for Composers Composition Contest. As a saxophonist, Daniel frequently collaborates with dancers, visual artists, and actors to give his performances depth and purpose, and he has performed extensively throughout the United States. Please visit DanielWhitworthMusic.com for more information on Daniel's recent projects and compositions. 



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Congratulations!

Winners: WOMEN in ART SONG & ORATORIO, 2019-20

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Schorr as Wotan, Bayreuth
The American Prize wishes everyone safety and health during this difficult time.
 


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners and runners-up of The American Prize in Vocal Performance—women in art song, 2019-20—The Friedrich and Virginia Schorr Memorial Awards. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

Please make us aware of any misprints: theamericanprize@gmail.com

The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America in 2018-19, based on submitted recordings.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.



The American Prize in Vocal Performance—women in art song (professional division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Ann  Cravero
West Des Moines IA

Ann  Cravero
Ann Belluso Cravero, acclaimed mezzo-soprano recitalist and soloist, has been heard on stages in Italy, China, and throughout the United States including repeat performances at Weill Recital Hall in Carnegie Hall. She recently made her debut at Symphony Hall in Chicago as the 2019 Winner of The American Prize in Oratorio, and performed as soloist of Mahler's 2nd Symphony with soprano, Michèle Crider for the re-dedication of Hancher Auditorium in Iowa City.

Highly sought after for her interpretation of new music, Cravero’s “strong” portrayal of Virginia Woolf in the 2016 staged adaptation of The Diary of Virginia Woolf under the direction of Håkan Hagegård, honored Dominick Argento – the composer in attendance (Ordway Center, Source Song Festival). Cravero also coached with the late Stephen Paulus and soloed two performances of his work, To Be Certain of the Dawn. She premiered and toured commissioned works by the Iowa Composers’ Forum with pianist Miko Kominami, and has frequently soloed with the Center for New Music in Iowa City. In 2019, Cravero returned to the opera stage to perform the role of ‘Ma’ in Copland’s The Tender Land with the American Gothic Performing Arts Festival.

Ann is the recipient of the 2019 Vocal Pedagogy Award from the NATS Foundation. Likewise, she is the district winner of the National Association of Teachers of Singing Artist Award competition, and received honorable mention for the Metropolitan Opera National Council District Audition. She was awarded the Donald Walker Vocal Scholarship for Outstanding Vocal Achievement at the University of Iowa, Outstanding Academic Achievement in the field of Music Education from Bradley University, and 1st place winner of the Bradley University Piano Concerto Competition.

Dr. Cravero is Associate Professor of Voice at Drake University, and is President of The National Association of Teachers of Singing Iowa Chapter. Cravero has served on the faculty of Sherrill Milnes' Savannah Voice Festival, and the International Lyric Academy Italy.

Ann Cravero holds the Doctor of Musical Arts and Masters of Music in Vocal Performance from the University of Iowa where she studied with Stephen Swanson and Katherine Eberle, and a Bachelor of Music Education with emphasis on Piano and Voice from Bradley University. For further information on the artist please visit anncravero.com or at https://www.facebook.com/anncraveromezzosoprano/


2nd Place:
Melissa Zgouridi
Salzburg   Austria 

Melissa Zgouridi
Brazilian-American mezzo-soprano Melissa Zgouridi is the winner of various awards, including the 2015-2016 Fulbright Grant, First Place in the 2014 Friends of Eastman Opera Vocal Competition, and the Young Talent Award at the Gut Immling Festival's 2016 International Vocal Competition. In January 2019, Melissa was a finalist in the 56th International Francesco Viñas Vocal Competition in Barcelona, Spain.

Her 2019 performance highlights include the alto solo in "Matthäus-Passion" (Bach) in the Netherlands, Lehrbuben in "Die Meistersinger von Nürnberg" (Wagner) conducted by Christian Thielemann at the Salzburg Easter Festival, and Roßweiße in a concert version of "Die Walküre" (Wagner) with the Staatstheater Augsburg in Germany.

Melissa graduated with distinction from the Universität Mozarteum Salzburg (Austria) in October 2018 with a Master’s Degree in Lied and Oratorio. Melissa holds a Bachelor’s Degree in Vocal Performance from the Eastman School of Music in Rochester, New York (USA).

www.melissazgouridi.com

3rd Place (there was a tie):
Thea Lobo
Sarasota FL

Thea Lobo
Hailed as "excellent", "impeccable", "limpidly beautiful", "impressive", "stunning", and "Boston's best", Grammy-nominated mezzo-soprano Thea Lobo's recent engagements include performances with The Shakespeare Concerts, EnsembleNewSRQ, Callithumpian Consort, College of the Holy Cross, True Concord, and MassOpera. Ms. Lobo has previously appeared under conductors Gunther Schuller, Stephen Stubbs, Joshua Rifkin, and Andris Nelsons, and has been featured by Boston Baroque, Naples Philharmonic, Handel + Haydn Society, Boston Early Music Festival, Boston Symphony Orchestra, and Europäisches Musikfest Stuttgart. Her dedication to new music, art song, and early music has seen her featured on True Concord's 2016 Grammy winning recording of Stephen Paulus's 'Prayers & Remembrances', a prizewinner at the Bach Vocal Competition for American Singers, and creating the duo ‘Songeaters’ and archive ‘Indictus Project' with pianist Eunmi Ko, among many other endeavors. Thea Lobo is a graduate of New England Conservatory and Boston University, and represented by Vocal Artists Management.


3rd Place (there was a tie):
Penelope Shumate
Macomb  IL

Thea Lobo
Praised by The New York Times for singing with “bell-like clarity and surpassing sweetness,” and by The New York Concert Review for “her sparkling coloratura perfection,” Penelope Shumate debuts with the Royal Philharmonic Orchestra in London for a recording at Abbey Road Studios this summer 2019. She has appeared as a soloist at Carnegie Hall, and both David Geffen Hall and Alice Tully Hall at Lincoln Center. She has sung with opera companies and orchestras across America including Opera Company of Philadelphia, Opera Roanoke, Opera Saratoga, Des Moines Metro Opera, Utah Festival Opera, Charlottesville Opera, Annapolis Opera, Santa Fe Symphony Orchestra, Oklahoma Philharmonic, Hilton Head Symphony Orchestra, Heartland Festival Orchestra, Rapides Symphony Orchestra, Chamber Orchestra of Philadelphia, and the Chicago Bar Association Symphony Orchestra and Chorus, among others. She has been an award winner with the Gerda Lissner Foundation, The American Prize, and the MacAllister Awards, among others. Visit penelopeshumate.com



The American Prize in Vocal Performance—women in art song (college/university division),  201920-, The Friedrich and Virginia Schorr Memorial Awards
The American Prize winner:
Leah Brzyski
Branford  CT  

Leah Brzyski
Soprano Leah Brzyski has performed as a soloist with esteemed companies including the Detroit Symphony Orchestra, the Lansing Symphony Orchestra, Opera Grand Rapids, and Orchestra New England. Ms. Brzyski has also had lead roles with the Michigan State University Opera Theater including that of Despina in Mozart’s Così Fan Tutte and Atalanta in Handel’s Xerxes.  Ms. Brzyski was the Young Artist Award winner of the 2017 Harold Haugh Light Opera Competition and took 2nd place in this year’s Opera Ithaca Competition. Ms. Brzyski was recently seen in the role of Königin der Nacht in Yale Opera Theater’s production of Die Zauberflöte, Sandmädchen and Taumädchen in Hänsel und Gretel, and as the soprano soloist for New Haven Symphony Orchestra’s Messiah. Upcoming engagements include the title role in Stravinsky’s Le Rossignol and as a studio artist with Central City Opera. 

2nd Place: 
Clare Demer 
Tucson AZ   

Clare Demer 
Italian-American soprano Clare Demer recently completed her masters in vocal performance at the University of Houston Moores School of Music, where she studied with Melanie Sonnenberg. This past season, she performed Gretel in Hansel and Gretel, and Paula Jordan in Bolcom's Dinner at Eight. Other roles include Mary in the world-premiere of Robert Nelson's The School for Scandal, Monica in The Medium, L'Enfant in L'enfant et les sortilèges, and Second Lady in The Magic Flute.
Clare has participated in many festivals across the United States, Canada, and Europe, including the inaugural season of Teatro Nuovo in 2018, IVAI in Montréal, the Aspen Summer Music Festival and School, SongFest at Colburn, and the Saarburg Festival in Germany. In 2016, Clare was an Art of Song Fellow at the Toronto Summer Music Festival.

Clare completed her undergraduate degrees at The University of Arizona, where she earned a B.M. in Vocal Performance, a B.S. in Psychology, and a minor in Italian. While at the University of Arizona, she was the recipient of a Creative Achievement Award for the Fred Fox School of Music and won 1st prize in both the undergraduate and graduate levels of the Amelia Riemann Competition. With the Arizona Choir she performed Dvorak's Stabat Mater on tour in the Dvorak Hall in Prague and the Musikverein in Vienna.

Clare is the recipient of many awards, including two Encouragement Awards from the Metropolitan Opera National Council Auditions, 3rd place in the James Toland Vocal Arts Competition, 1st place in the Marni Nixon International Voice Competition, and numerous accolades from the American Prize Foundation for both art song and opera performance.


3rd Place:
Alexandra Colaizzi
Hollywood  FL   

Alexandra Colaizzi
Alexandra Colaizzi, mezzo-soprano, is an active performer of concert, ensemble, and operatic repertoire. Originally from South Florida, she has enjoyed a career on stages from Carnegie Hall to the Salzburg Festspielhaus, serving as a soloist and/or ensemble member with esteemed organizations such as the Santa Fe Desert Chorale, the Seraphic Fire Professional Choral Institute (Aspen School of Music), the International Baroque Institute at Longy (Cambridge, MA), the Frost School of Music at Salzburg College, the Master Chorale of South Florida, and the Illinois Bach Academy. Most recently, Ms. Colaizzi had the pleasure of singing with Grammy and The American Prize-award-winning ensemble  Roomful of Teeth in Cincinnati, Ohio. Ms. Colaizzi holds a Bachelor of Music degree in music education from the University of Miami Frost School of Music, and is currently pursuing her Master of Music degree in vocal pedagogy at the University of Memphis Rudi E. Scheidt School of Music. https://www.facebook.com/alexandracolaizzimusic/ 



The American Prize in Vocal Performance—women in art song (high school division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Malaina Kapoor
Redwood City   CA 

Malaina Kapoor
Malaina Kapoor is a home-schooled high school senior. She is a recipient of the Caroline D. Bradley Scholarship, a merit-based academic scholarship awarded to 30 students annually nationwide. This year she was named a 2019 Coolidge Senator, an honor designated annually by the Calvin Coolidge Presidential Foundation to 100 students who demonstrate academic excellence and an interest in public policy and service. Her work has been published or featured by the Mercury News, the Clayton Christensen Institute, Good Housekeeping Magazine, Education Next, and others. She is the recipient of two national gold medals from the Scholastic Arts and Writing Competition. 

Malaina’s music awards include the gold medal in the 2017 U.S. International Music Competition and first place at the 2019 Crescendo Competition. She has won second place in the 2018 International Grande Music Competition and the 2017 International American Protege Competition and has performed solo twice at Carnegie Hall.



2nd Place:
Krystal Y. Mao   
Fremont  CA 

Krystal Y. Mao   
Krystal Mao is 16 years old and is a junior at Mission San Jose High School in Fremont, California. She has been singing for 9 years and studying classical music for 4 years. She has studied with Eugene Brancoveanu, Edna Garabedian, D'Ana Lombard and is currently studying with Kathleen Ludowise. She has been participating in many competitions, local and international. This year, Krystal participated in the 67th Junior Bach Festival and was the only singer chosen to perform live at a local radio station, as well as perform in the Final Winners Concert. Last summer, she competed in the Beijing Water Cube Cup, where over 7,000 people from all over the world participated, and won 3rd place. She also hosted her own solo concert in Hangzhou, China, with an audience of over 700 people. Other than singing, Krystal also studies violin and art.


3rd Place (there was a tie):
Pauline Rogers
Fremont  CA 

Pauline Rogers
Pauline Rogers is a student at Valley Christian High School, San Jose, CA, currently in the music honors program. Her current teachers include Fang Hong, a soprano, Eugene Brancoveanu, a baritone and a Tony award winner, and Hao Wu for piano. She has performed in famous theaters across the globe, from Oscar Venue Dolby Theater, Los Angeles, Herbst Theater, San Francisco, and Carnegie Hall, New York, to Grand Churches in Vienna, Austria to The Water Cube Stadium in Beijing, China. Silver Award Winner of 2014 Golden Key Festival, Performed in Carnegie Hall, New York.Best Vocal Ensemble Winners of MTAC 2014, 2015, and 2016 Silicon Valley Branch Competition. Title winner of Golden State Junior Ambassadress at California State Youth Accolade scholarships competition in 2014. The first place winner in 2015 Silicon Valley Chinese Songs singing competition. The second place winner in Solo competition in MTAC 2016 Silicon Valley Competition. The Grand prize winner for the 2016 Watercube Chinese Songs singing Competition in San Francisco, represented the Northern California in the final singing competition in Beijing. Top -30 in the final competition in Beijing. The First Place Winner for  the 2017 San Francisco International New Concept Film Songs Competition. As a Team USA member, she performed in the 2017 World Championship for the Performing Arts in Long Beach, CA. The First Place Winner for the 2018 Watercube Cup Chinese Songs singing competition in Chicago, and represented the Chicago in the final singing competition in Beijing. Top -30 in the final competition in Beijing. The second place winner for the American Prize in voice/Friedrich & Virginia Schorr Memorial Award-Art song/Oratorio, high school division, 2018-2019. She played double Bass in the Hopkins Advance Orchestra in 2016-2017, She played Cello in the El Camino Youth Orchestra from 2015-2016.
 

3rd Place (there was a tie):
Michelle Skylar
Sunny Isles  FL   

Michelle Skylar
Michelle Skylar, born in 2005, is a soprano vocalist who resides in Russia, England, and USA. In 2018 and 2019, Michelle was awarded 1st Prize in AFAF Golden Voices International Competition, 1st Place and Judge's Distinction Award in American Protege International Competition of Romantic Music, 1st Prize in Golden Classical International Vocal Competition, Grand Prix in Concert Festival International Competition, 1st Place in Grand Prize Virtuoso Competition, 1st Prize in Great Composers Competition Music of the 17th and 20th Centuries.  Michelle has performed numerous times at Carnegie Hall, Lincoln Center, Baruch Performing Arts Center, and Musikverein in Vienna.  Michelle has also performed in concerts with orchestras in Moscow and St. Petersburg at the invite of the Spivakov Foundation.  In 2018, Michelle was accepted to study voice at Guildhall School of Music and accepted in 2018 and 2019 to New York Lyric Opera's summer program.  Michelle sings in English, Russian, French, Italian, and German. 


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Congratulations!

Finalists: CONDUCTORS (musical theater), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce 2019-20 FINALIST conductors in musical theater. Congratulations!

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until complete the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.
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NATIONAL FINALISTS: The American Prize in Conducting—musical theater division, 2019-20

Jo Lynn Burks
Belmont University School of Music       
Nashville  TN        
Thoroughly Modern Millie

Rebecca Kenneally            
Endicott College 
Beverly   MA           
Shrek the Musical    

Matthew Mailman              
Bass School of Music—Oklahoma City University
Oklahoma City  OK    
Side Show           

Russell G.McCutcheon           
Department of Theater
and Sunderman Conservatory of Music      
Gettysburg College
Gettysburg PA                
The 25th Annual Putnam County Spelling Bee

Michelle Perrin Blair Revival Theatre Company              
Cedar Rapids  IA    
Sunday in the Park with George         

Ana Flavia Zuim 
NYU Steinhardt School
New York   NY                
Anything Goes

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Congratulations!

We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! I've just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in my division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.


Winners: WOMEN in OPERA, 2019-20

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Schorr as Wotan, Bayreuth
The American Prize wishes everyone safety and health during this difficult time.
 


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners and runners-up of The American Prize in Vocal Performance—women in opera, 2019-20—The Friedrich and Virginia Schorr Memorial Awards. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

Please make us aware of any misprints: theamericanprize@gmail.com

The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America, based on submitted recordings.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


The American Prize in Vocal Performance—women in opera (professional division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Madison Marie McIntosh
West Palm Beach  FL

Madison Marie McIntosh
Madison Marie McIntosh, mezzo-soprano, has been praised for her “wondrously flexible voice” and “prodigious vocal skills” (Voce di Meche). OperaWire has praised her “vocal power,” “enchanting voice,” and “velvety mezzo-soprano.” She has been featured as Ernesta (Un avvertimento ai gelosi) at Caramoor, Tancredi (cover) and Eco (Tancredi rifatto) at Teatro Nuovo, Delia (Il viaggio a Reims) with the Rossini Opera Festival in Pesaro, and Alto Soloist (Messiah) with New Amsterdam Opera. She has also performed Rosina (Il barbiere di Siviglia), Title Role (Carmen), Isabella (L’Italiana in Algeri), Angelina (La Cenerentola), Cesare (Giulio Cesare in Egitto), Hansel (Hansel and Gretel), Dido (Dido and Aeneas), Sara (Roberto Devereux), Prinz Orlofsky (Die Fledermaus), Giovanna Seymour (Anna Bolena), Zerlina (Don Giovanni), and lead roles in four world premières. In 2019, she joined Eve Queler as a soloist in her 25thannual Bel Canto Opera Concert.


2nd Place:
Hillary Esqueda
Chicago IL 

Hillary Esqueda
Known for her floating high notes and rich middle range, soprano Hillary  Esqueda is a versatile lyric soprano emerging in the opera scene. Described as a “powerful” and “solid” performer,  Ms. Esqueda strives to bring truth and relatability to her performances by exploring the worlds of movement, musical theater and more. Roles performed include: Drusilla (L'incoronazione di Poppea), Popelka (Comedy on the Bridge), Marie (La Fille du Régiment), First Lady (Magic Flute), and Musetta (La Bohème). She has also had the fortune to perform as a young artist with Hubbard Hall Opera Theater, Pacific Encore Productions, and OperaWorks. Her interest for new music has lead her to create two roles for composer Francis Lynch, as well as perform in the Midwest premiere of With Blood, With Ink (Dying Juana). Hillary holds degrees from NYU and Roosevelt University, and currently resides in Chicago where she studies with countertenor Mark Crayton.


3rd Place (there was a tie):
Elizabeth Lewis
Chicago IL 

Elizabeth Lewis
Winner of the Marten Bequest Travelling Scholarship 2017 from the Australia Council for the Arts, Elizabeth is a graduate of the Queensland Conservatorium Griffith University and The University of Melbourne. In 2015, she was the winner of The Opera Foundation for Young Australians, Lady Fairfax New York Scholarship and the 2015 Sydney Opera House Award. Last year, Elizabeth was one of five Finalists in the 2018 Elizabeth Connell Prize for Dramatic Sopranos and was Runner-up in the John Alexander National Vocal Award (USA). She also sang her first Strauss singing the title role in Ariadne auf Naxos under the baton of Maestro Simone Young. Elizabeth is a previous Young Artist for Opera Q (AUS), Victorian Opera (AUS) and Fargo-Moorhead Opera (USA).


3rd Place (there was a tie):
Zarah Brock
Fredericksburg VA 

Zarah Brock
Zarah Brock, soprano, is a recent graduate of the University of Maryland where she obtained her Master of Music in Opera Performance. She received her Bachelor of Music in Vocal Performance from Virginia Commonwealth University, where she sang several roles, including Hanna Glawari/The Merry Widow, Casilda/The Gondoliers and First Spirit/Die Zauberflöte. Zarah trained at the late Lorin Maazel’s Castleton Festival and also had the privilege to travel to Oman with the Castleton Festival to sing in La Bohème at the Royal Opera House in Muscat. Other roles include Lucy/The Telephone and Don Ettore/La canterina with Old Towne Opera, Zerlina/Don Giovanni with the Hawaii Performing Arts Festival, Belinda/Dido and Aeneas with the Stafford Opera Troupe, Annio/La clemenza di Tito and Soeur Constance/Dialogues des Carmélites with the Maryland Opera Studio. She was a fellow at the CoOPERAtive Program and a Young Artist with the National Arts Centre in Ottawa in the summer of 2019.



The American Prize in Vocal Performance—women in opera (college/university division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Myka Murphy
Roswell GA

Myka Murphy
From Roswell, GA, Myka Murphy is a mezzo-soprano, who most recently performed the roles of  Zita in Gianni Schicchi and La Zia Principessa in Suor Angelica with Red River Lyric Opera. She made her Juilliard School premiere as Maman in L'enfant et les sortilèges; she also performed in the commemorative NYFOS concert honoring John Corigliano and William Bolcolm and covered the Alto soloist for Bernstein’s Songfest with Juilliard Orchestra. Upcoming performances, include performing the Sorceress in the Juilliard School’s production of Dido and Aeneas and a Wednesday at 1 concert in Alice Tully Hall. She received an encouragement award from the Middle/East Tennessee District Metropolitan National Council Auditions in Knoxville this past January. This season Ms. Murphy will be making her Jackson Symphony debut as the mezzo-soloist for Beethoven’s 9th  Symphony. She is finishing her Masters degree in Voice at The Juilliard School, under the tutelage of Professor Cynthia Hoffmann.


2nd Place:
Amalia Crevani
Milford NJ     

Amalia Crevani
Amalia is a graduate from the Juilliard Pre-College (teacher-Lorraine Nubar) and currently a sophomore vocal performance and theatre major at DePauw University (teacher Caroline Smith). She was recently the winner of the University Concerto Competition for which she sang with the orchestra "Les oiseaux dans la charmille" from Offenbach's Les Contes d'Hoffman.  As a freshman, she performed the roles of Susanna in Le Nozze di Figaro and Hamlet in Hamlet Mostly. This year, she was La Fée in Cendrillon.  Outside of DePauw, Amalia has won many competitions such as 1st Place at Indiana NATS for both the Musical Theatre and Classical divisions for 2 consecutive years, 1st The American Prize- Women in Art Song (2017-2018), 1st place NY Lyric Opera Theatre, 1st Great Composers Competition Series for Rossini and Debussy, and 1st Rondo Vanguard. She was a Paper Mill Playhouse nominee for the Rising Star Award (Best Actress in leading role) and winner for Hal Leonard Music Theater.  Amalia’s summers  have included studies and performances in the US and in Europe, such Nice, France (Lorraine Nubar & Dalton Baldwin), Montepulciano, Italy (Claudia Visca), and NYC with NY Lyric Opera Theatre (Gretel, Manon) at the National Opera Center, Carnegie Hall and Lincoln Center Amalia also studies dance with Deborah Grammel.


3rd Place:
Leah Brzyski
Branford CT    

Leah Brzyski
Soprano Leah Brzyski has performed as a soloist with esteemed companies including the Detroit Symphony Orchestra, the Lansing Symphony Orchestra, Opera Grand Rapids, and Orchestra New England. Ms. Brzyski has also had lead roles with the Michigan State University Opera Theater including that of Despina in Mozart’s Così Fan Tutte and Atalanta in Handel’s Xerxes.  Ms. Brzyski was the Young Artist Award winner of the 2017 Harold Haugh Light Opera Competition and took 2nd place in this year’s Opera Ithaca Competition. Ms. Brzyski was recently seen in the role of Königin der Nacht in Yale Opera Theater’s production of Die Zauberflöte, Sandmädchen and Taumädchen in Hänsel und Gretel, and as the soprano soloist for New Haven Symphony Orchestra’s Messiah. Upcoming engagements include the title role in Stravinsky’s Le Rossignol and as a studio artist with Central City Opera.


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Congratulations!

Finalists: CONDUCTORS (opera division), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.

The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce 2019-20 FINALIST conductors in opera divisions. Congratulations!

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until complete the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


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NATIONAL FINALISTS: The American Prize in Conducting—professional opera division, 2019-20

Walter Morales              
Pittsburgh Festival Opera
Pittsburgh  PA
The Valkyrie, Das Rheingold    

Eric Peterson             
Savoynet Performing Group            
Harrogate UK
Patience (Gilbert & Sullivan)

Isaac Selya                
Queen City Opera 
Cincinnati   OH
Iolanta      

Michael Shane Wittenburg           
National Theater of Opera and Ballet 
Constanta   Romania
Turandot


NATIONAL FINALISTS: The American Prize in Conducting—college/university opera division, 2019-20

Tyson Deaton               
Texas Christian University Opera Studio          
Fort Worth  TX
Falstaff      

Peter Perret            
University of North Carolina—Greensboro                
Greensboro  NC
Falstaff

Matthew Mailman              
Bass School of Music—Oklahoma City University  
Oklahoma City  OK
Cendrillon        

Kirk Severtson            
The Crane School of Music—SUNY       
Potsdam NY
MAYO (Cipullo)

Hugh Murphy        
Purchase Opera—SUNY             
Purchase  NY       
Confession, Suor Angelica, Gianni Schicchi          


***

We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! I've just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in my division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.



Winners: PIANISTS (solo division), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.

The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners and runners-up of The American Prize in Piano Performance (solo),2019-20, in professional, college/university and high school divisions. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

Please make us aware of any misprints: theamericanprize@gmail.com

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


The American Prize inPiano Performance (solo),2019-20, (professional division)

The American Prize winner:
Lei Weng   
Greeley    CO 

Lei Weng   
Hailed as “a colorist of exemplary control” by the New York Concert Review for his sold-out Carnegie Hall debut, he has performed at prestigious venues around the world including New York’s Carnegie Hall and Merkin Concert Hall, Chicago Culture Center, Phillips Collection in Washington, D.C., China National Center for Performing Arts, Taiwan National Concert Hall and Kaohsiung Cultural Center, Royal College of Music (UK), Banff Center (Canada), Peterskirche (Vienna), Basilica di San Pietro (Italy), Singapore National University, and major universities and conservatories throughout Asia. He has performed at such music festivals as Tanglewood Music Festival, TCU Cliburn Institute, Messiaen Festival (University of Chicago), Music Fest Perugia (Italy), Pianoforte-Fest Meissen (Germany), Saarburg Festival (Germany), Sarasota Festival, Vianden Festival (Luxemburg), Rocky Ridge Music Center and Breckenridge Music Festival.

As a frequent concerto soloist, he has appeared with such conductors as Gerhardt Zimmerman, Steven Smith, Uri Segal, Robert Olson, Geoffrey Simon, Glen Cortese, Wes Kenney, Lingfen Wu, Zushan Bian, and with more than thirty orchestras in the U.S., Europe and Asia, including the Symphony Orchestras of Fort Worth, Fort Collins, Gimhae (Korea), Kaohsiung (Taiwan), Alicante (Spain), Pegugia (Italy), Campinas (Brazil), Beijing (China), Costa Rica, Breckinridge Music Festival, and the China National Symphony Orchestra and Chorus


2nd Place:
Yuting Zhou   
New York   NY  

Yuting Zhou   
Pianist Yuting Zhou is currently earning her Doctor of Musical Arts degree at Manhattan School of Music from the studio of Dr. Joanne Polk. She has performed in numerous different parts of the world. Notable venues she has concertized at include Carnegie Hall (US), Kostroma Philharmonic Hall (Russia), Hong Kong Cultural Centre, and Xinghai Concert Hall (China), and many more. Recently, she was invited to perform in Merkin Concert Hall (US), Ehrbar Hall (Austria), and Teatro Colón(Argentina). She received 15 major competition awards, including the First Prize, Best Liszt Interpretation Award and Best American Composer Interpretation Award at the Liszt-Garrison Festival & International Piano Competition. Ms. Zhou has appeared on several media platforms. Recent ones include ABC News, NBC News, PeaceEver TV, Pittsburgh Post Gazette, the China Times, Guangzhou Daily, Guangdong Television, and FM Ximalaya Radio, among others. For more information, please visit www.YutingZhou.com


3rd Place:
John Kamfonas    
Devon PA 

John Kamfonas    
American pianist John Kamfonas has given performances internationally, from New York to India to Paris, described as possessing "a grandeur that lifted the music into the sublime...and a delicacy that took one's breath away." (National Herald, New York) As an improvising classical pianist, Mr. Kamfonas interweaves repertoire ranging from Bach and Beethoven to Debussy and Barber among spontaneous musical fantasies. He has performed in numerous festivals in the US and abroad and has recently given solo concerts at Merkin Hall, Steinway Hall, Salle Cortot (Paris), Cité Internationale des Arts de Paris, and the Columbia Global Center (Paris). Mr. Kamfonas recently conducted residencies at the Cité Internationale des Arts and as a Harriet Hale Woolley Scholar at the Fondation des Etats-Unis in Paris where part of his recital was nationally televised in 2016. He holds degrees from Columbia University, Manhattan School of Music, and the Ecole Normale de Musique in Paris.
 


The American Prize inPiano Performance (solo),2019-20, (college/university division)

The American Prize winner:
Chenyu Wang   
Hartford   CT  

Chenyu Wang   
Born in China, Chenyu Wang began playing the piano at the age of five and gave public performances at the age of eight. She received her early trainings at the Shanghai Conservatory of Music Middle School. She received her Bachelor of Music degree from Eastman School of Music under the tutelage of Prof. Barry Snyder in 2015, and her Master of Music degree from Indiana Unviersity, Bloomington, under the tutelage of Prof. Emile Naoumoff in 2017. She is currently a Doctor of Musical Arts student at the Hartt School of Music, University of Hartford, under the tutelage of Prof. Paul Rutman. She is a prize-winner of many competitions, including the Kulangsu Piano Competition and Schoenbrunn Piano Competition in China, The eMuse international piano competition and Bradshaw& Buono International Piano Competition. She has performed across the North America, China and Europe.


2nd Place:
Shun-Jung Hsu    
Madison    WI

Shun-Jung Hsu    
Taiwanese pianist Shun-Jung Hsu maintains an active profile across the United States, Europe, and Asia as a soloist and chamber musician. Winner of 2018 American Protege International Competition of Romantic Music, Shun-Jung has appeared in many cities in U.S, including venues such as Weill Recital Hall at Carnegie Hall, Missouri Theatre (MO), E. Desmond Lee Concert Hall (MO), Sursa Performance Hall (IN), and Stoughton Opera House (WI). She has also given numerous performances elsewhere in Austria, Germany and Portugal and Taiwan. Shun-Jung holds a MM degree from University of Missouri-Columbia where she studied with Dr. Peter Miyamoto as a recipient of full tuition scholarship and stipend. Currently she is pursuing her DMA degree at University of Wisconsin-Madison with scholarships under the tutelage of pianist Christopher Taylor. Other influential teachers have included Aquiles Delle Vigne, Carmen Piazzini, Chun Pan, Hsing-Chwen Hsin, Mamiko Suda, Meng-Chieh Liu, and Nadezda N. Demianova.
https://www.shunjunghsu.com/
 

3rd Place:
Eunhae Choi   
Savoy IL

Eunhae Choi   
An active pianist and lifelong educator, Eunhae Choi is currently a Doctoral candidate for the Musical Arts degree in Piano Performance and Literature at University of Illinois at Urbana-Champaign. She was awarded scholarships and fellowships while she was studying. Also, she holds a Master of Music degree at University of Texas at Austin, a Bachelor of Music degree at Hanyang University in South Korea. Her primary teachers include Prof. William Heiles, Gregory Allen, Young-In Lee, and Lilie Jang. As a dedicated teacher, Ms. Choi has studied Piano Pedagogy as her cognate minor while her doctoral studies and her teaching experience includes serving as the instructor from Piano Project program at the UT Austin and served as a President of the U of I Music Teachers National Association Collegiate chapter in 2016-2017. She was invited to present at the ISMTA conference in 2017 and now teaching at Piano Laboratory Program at Illinois. Also, she is a member of ensemble Seonmul which presents fusion of Korean traditional and western music.


Finalist Honorable Mention:
Igor Filipe Do Amaral 
New York   NY

Igor Filipe Do Amaral 
 Pianist Igor Amaral is a native of Macao. He graduated from the Wright State University as a scholarship student of Dr. Jackson Leung. While being awarded the prestigious music scholarship, Igor received Doctoral of Musical Arts in Piano Performance and holds two Master of Music degrees in Piano Performance and Piano Pedagogy from Michigan State University, where his main teachers were Prof. and Artist in Resident Panayis Lyras, Dr. Derek Polischuk and Prof. Margarita Shevchenko. Igor is currently studying with Prof. Simone Dinnerstein at the Mannes School of Music. Igor received numerous prizes and awards including first prize winner in The American Protégé International Competition, winner of the Wright State University Concerto Competition, and winner of the WSU Honor Award. He has performed extensively in North America, Europe and Asia including Carnegie Hall, Ernst C. Stiefel Hall, Giles-Lefebvre Concert Hall, Teatro Jovellanos,  Guangzhou Xinghai Concert Hall, Macao Cultural Center.



The American Prize inPiano Performance (solo),2019-20, (high school division)

The American Prize winner:
Christopher Zhu    
West Roxbury   MA

Christopher Zhu    
Christopher “Chris” Zhu, a 16-year-old native Bostonian, began his piano studies at the age of five. He currently studies with Helena Vesterman. Since his first competition at the age of eight, Chris has been a second prize winner of Bradshaw and Buono International Piano Competition, four-time first prize winner at the Massachusetts Music Teachers Association Bay State Contest, two-time prizewinner at the Steinway Society of Massachusetts Piano Competition, and recently a first prize winner in the senior division of URI piano extravaganza and a second prize winner in the intermediate group of American Protege International Piano and String Competition. In addition, as an accomplished violinist, Chris has received the top prize from the Roman Totenberg Young Strings Competition and played First Violin for orchestras at New England Conservatory Prep School and Boston Youth Symphony. He has performed at various venues including Carnegie Hall and Steinway Hall in New York, and Symphony Hall in Boston.
 

2nd Place:
Marc Soong  
Alhambra   CA

Marc Soong  
Marc Soong has shown a keen interest in classical music since the age of three. He has won numerous national and international piano competitions including the Los Angeles Young Musicians International Competition, San Jose International Piano Competition, American Protege International Piano and String Competition, Redlands Bowl Young Artists Competition, Classics Alive Young Artists Competition, Los Angeles International Liszt Competition, Steinway Piano Competition, Great Composers Music International Competition, and many others. Soong won the Grand Prize of the 2018 ENKOR International Music Competition. He has been selected as a featured performer on NPR's "From the Top" a radio program broadcast nationally. Soong studies piano under the guidance of Professor Daniel Pollack and Dr. Vladimir Khomyakov at USC Thornton School of Music. He has performed in many venues such as the Stern Auditorium Perelman Stage and Weill Recital Hall at Carnegie Hall in New York and many others. Website: www.marcsoongpianist.com
 

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Congratulations!

Finalists: CONDUCTORS (orchestral programming), The Vytautas Marijosius Memorial Award, 2019-20

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Vytautas Marijosius
The American Prize wishes everyone safety and health during this difficult time.


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce 2019-20 FINALIST conductors in orchestral programming, The Vytautas Marijosius Memorial Award. Congratulations!

Commenting on this year's contest, Maestro Katz writes: "Absolutely fascinating. A very strong, competitive field. I suppose a contest about orchestral programming would in and of itself attract conductors who were good at it, but perhaps never more impressively than by this year's finalists."

The American Prize—Vytautas Marijosius Memorial Award in Orchestral Programming honors the memory of the great Lithuanian conductor, Maestro Vytautas Marijosius, music director of the Lithuanian State Opera, and for nearly thirty-five years Director of Orchestral Activities at the Hartt School of Music. The Prize recognizes and rewards the best achievement in the unique field of orchestral programming, where the selection of repertoire by knowledgeable, creative and courageous music directors builds orchestras and audiences, educates young people and adults, and enriches the community.  

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


 
NATIONAL FINALISTS: The American Prize in Orchestral Programming / Vytautas Marijosius Memorial Award—professional and college/university division, 2019-20

Dr. Brian Coffill
The Randolph-Macon Ensemble 
Randolph-Macon College        
Ashland VA            

Dr. Thomas Dickey
OSU Symphony Orchestra
Stillwater  OK  

Vladimir Kulenovic            
Lake Forest Symphony  
Lake Forest IL

Jason Lim
McKinney Philharmonic
McKinney TX

Nathaniel F. Parker
Kennesaw State University Symphony        
Kennesaw  GA   

Nadya Potemkina            
Wesleyan University Orchestra        
Middletown  CT   

David A. Rahbee
University of Washington Symphony Orchestra    
Seattle WA   

Rachel L.  Waddell
University of Rochester Orchestras        
Rochester   NY   



NATIONAL FINALISTS: The American Prize in Orchestral Programming / Vytautas Marijosius Memorial Award—community division, 2019-20

Donald L. Appert
Clark College Orchestra
Vancouver   WA                  

Donald L. Appert
The Jewish Community Orchestra of Portland
Portland  OR                  

John B.Gordon
Williamson County Symphony Orchestra 
Round Rock  TX 
Daniel Rainey, conductor                

David William Oertel
Starlight Symphony Orchestra         
Wimberley   TX                  

Mark Perlman
Willamette Falls Symphony
Oregon City and Tualatin  OR                  

James  Villani
Manassas Symphony Orchestra          
Manassas  VA      


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We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! I've just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in my division in soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.

Winners: CHAMBER MUSIC PERFORMANCE, 2019-20

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The American Prize wishes everyone safety and health during this difficult time.


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners and runners-up of The American Prize in Chamber Music Performance,2019-20, in professional, college/university and high school divisions. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


Please make us aware of any misprints:theamericanprize@gmail.com

The American Prize inChamber Music Performance,2019-20, (professional division)

The American Prize winner: 
Eason-Seregow Duo
Muncie IN

Eason-Seregow Duo
Hailed by Fanfare magazine for his “exceptional feel for elegance, wit… and tonal beauty,” saxophonist Bob Eason is currently on faculty at Austin Peay State University and Murray State University. His primary teachers include Otis Murphy, Dan Gelok, Valerie Vidal, Karen Wylie, Chris Patterson, and Theron Sharp. Bob is the soprano saxophonist and founding member of the Kenari Quartet, an ensemble that has garnered acclaim through engaging performances, festival and educational residencies, and commissioning projects. Bob Eason is an Endorsing Artist for Légère Reeds, and plays exclusively on the Signature Series reeds. (www.easonstudios.com)

A native of the Pacific Northwest, pianist Michael Seregow enjoys a multifaceted career as a performer, teacher, clinician, and recording artist. Currently on faculty at Ball State University, he has also served on the keyboard faculties at Washington State University, University of Puget Sound, and University of Oregon. Having earned a DMA from the University of Oregon, he is a recognized soloist and collaborative pianist who has performed throughout the US, United Kingdom, and Central America.  (www.michaelseregow.com)

In addition to numerous recital performances around the US, Eason and Seregow have performed as invited guest artists at the 18th Encuentro Universitario Internacional de Saxofón México in Mexico City, one of Latin America’s most important saxophone festivals, and recently gave the world premiere of a new composition for soprano saxophone and piano by composer Joel Love at the North American Saxophone Alliance Biennial Conference in Tempe, AZ.


2nd Place: 
Pegasus Chamber Ensemble
Guanajuato  GTO

Pegasus Chamber Ensemble
The Pegasus Chamber Ensemble is the premier chamber music group in the city of Guanajuato with members from the Orchestra Sinfónica de la Universidad de Guanajuato. As the resident quintet of Foro Cultural 81, we strive to give concerts of the highest quality to the community and expand the literature and knowledge of music for wind instruments by offering world premiers of contemporary composers and traditional works. Our members include Alan Monahan  founder and co-principal bassoon of the OSUG, clarinetist Heather Millette, flutist Cuahtemoc Trejo, Omar Elizalde on oboe, Jonathan Lusher on French Horn and resident composer, and Ivan Hugo Figueroa Garcia on piano.


3rd Place (there was a tie):
Szlubowska-Belsky Duo
Northbrook  IL

Szlubowska-Belsky Duo
Praised for her “warm lyricism and flawless technique” Polish violinist Marta Szlubowska is a sought-after soloist, chamber musician, and teacher, whose concerts have taken her to over 15 countries throughout Europe and Americas. Since 2004 she has been the Concertmaster and Soloist of the Mississippi Symphony Orchestra. Critically acclaimed as "a passionate pianist and scholar," Svetlana Belsky is an in-demand recitalist and chamber pianist, who has has appeared in Europe, Asia, Canada, and throughout the United States. Szlubowska and Belsky began their collaboration in 2017. This album, Myth and Romance: Music for Violin and Piano by Polish Composers, is the result. The CD has earned high critical praise: "Stunningly beautiful";  "wonderfully fantastical... Szlubowska's virtuosity really takes off and Belsky has the most delicious of light touches… Communication between the two players is a joy. Hats off to Szlubowska and Belsky for giving such a concentrated, successful reading".


3rd Place (there was a tie):
Duo MemDi
Decorah IA

Duo MemDi
Award-winning Duo MemDi was founded by violinist Igor Kalnin and pianist Rochelle Sennet in the summer of 2010, when they served on the faculty at Blue Lake Fine Arts Camp in Michigan. The objective of Duo MemDi is to perform music that embraces the diversity of world cultures. Particularly, they focus on commissioning and performing music of composers from underrepresented groups. They believe that classical music should be an integral part of the diversity, inclusivity and equality movement, and serve as an indispensable tool in promoting social justice. All of the Duo’s live performances are from memory – a rare feat in the world of chamber music. They feel that it allows for a connection to composers’ ideas in a more holistic, insightful way. These ideals inspired the name of the duo: Mem[ory] and Di[versity] = MemDi. Their debut recording “Gathering Shatters” was released on Albany Records in 2018.
 

The American Prize inChamber Music Performance,2019-20, (college/university division)

The American Prize winner:
Khroma Quartet
The Colony  TX

Khroma Quartet
The Khroma Saxophone Quartet was founded at the University of Illinois at Urbana-Champaign in  the  Fall  of  2018.The  name  Khroma represents  the  nuance  of  sonic  colors which  enables  the ensemble to perform a variety of styles and genres ranging from transcriptions to contemporary works.The members come from unique and decorated backgrounds, allowing the quartet to be informed by an accumulation of experiences and saxophone pedigrees. The group is comprised of Doctor of Musical Arts candidate Wilson Poffenberger (tenor), and Master of Music students Scott  Augustine  (alto),  Michael  Chapa (baritone),  and  Anne  Kunkle  (soprano). The quartet was invited to perform at the 2018 Midwest Clinic in Chicago, IL and received the silver medal at the 2019 Fischoff National Chamber Competition.


2nd Place:
Tsukervanik-Liu Duo
Arcadia  CA 

Tsukervanik-Liu Duo
Founded by Uzbekistan violinist Anna Tsukervanik and Taiwanese guitarist Ming-Jui Liu, Tsukervanik-Liu Duo performs both essential and rarely-performed repertoire including new works from the twenty-first century. Both acclaimed musicians in their own right, Anna worked and performed with such distinguished artists as Ilya Kaler, Lawrence Dutton of the Emerson String Quartet, Mark Jackobs, Yael Weiss, and Ralph Kirshbaum, while Ming-Jui, as a soloist and a chamber musician he was invited to perform in Taiwan, Brazil, China, and the United States. In 2018, Ming-Jui was a festival artist and judge in the 4th Qinling Mountains International Guitar Festival (Shaanxi, China).


3rd Place:
The Raritan Trio
Egg Harbor  NJ

The Raritan Trio
The Raritan Trio brings together three young musicians of exceptional talent, passion and experience. Formed in January 2019 at Mason Gross School of the Arts- Rutgers University, New Jersey, the trio consists of pianist Alexander Bui, violinist Yu Ouyang, and cellist Jiun-Ru Wang. Born in three different countries, the artists combine their individual cultures and personalities to create wonderful music together.

Coached by Carmit Zori, the Raritan Trio has achieved the highest esteem such as winning the Rutgers Chamber Music Competition, receiving a full fellowship to Mimir Chamber Music Festival, and being invited to participate in Carnegie Hall’s Audience Engagement Intensive program. Their performance experiences include various venues throughout North America, Europe and Asia. Having a deep passion and love for music, the Raritan Trio hopes to spread and perform classical music around the world.

The name of the Raritan Trio was inspired by the Raritan River that is across from the Mason Gross School of the Arts. The river resembles their warm spirit in hoping that they will leave a long-lasting and meaningful impact to their audiences.
 

The American Prize inChamber Music Performance,2019-20, (high school division)

The American Prize winner:
Vivo String Quartet 
Pittsburgh PA

Vivo String Quartet 
The Vivo String Quartet are members at the Pittsburgh Youth Symphony Orchestra and students of North Allegheny High School from Pittsburgh, Pennsylvania. Composed of violinists Enoch Hsiao (senior, student of Rachel Stegeman) and Carolyn Carr (junior, student of Rachel Stegeman), violist Futen Wang (junior, student of Marylène Gingras-Roy), and cellist Yunshu Li (sophomore, student of Katya Janpoladyan). Winners of the 2018-19 Montgomery Fellowship award, sponsored by Chamber Music Pittsburgh, they study chamber music with Pittsburgh Symphony Orchestra (PSO) Principal Second Violin Jeremy Black and Pittsburgh Opera Orchestra concertmaster Charles Stegeman. They also are 2019 Pittsburgh Concert Society Young Artist Award winners. As passionate students of classical music, all are accomplished musicians who have appeared as soloists with various orchestras. Dedicated to promoting chamber music in the Pittsburgh community, Vivo performed pre-concert for "Music for the Spirit: A Concert for Peace and Unity" at Heinz Hall in November 2018; and they opened the conference "Nonprofits and the Call to Moral Leadership" sponsored by the Heinz Endowments at the August Wilson Cultural Center this fall - both events that honored the victims of the Tree of Life tragedy.


2nd Place: 
Quantum Quartet
Carrollton TX  

Quantum Quartet
Formed in the summer of 2016 in Carrollton, Texas, the Quantum Quartet consists of Bruce Moe, Ekdev Rajkitkul, Austin Dreyer, and Peyton Joffre. Members of the group have received many honors, including Silver Medal in the 46th Annual Fischoff Competition, 1st prize in the 4th Edition of the ENKOR International Music Chamber Music Competition, 1st place at 6th Annual Coltman Chamber Music Competition, 1st place at  11th annual Houston Underground Quartet Competition, 3rd Place in the 2018-2019 season of The American Prize, various other top finishes in the Houston Underground Saxophone Competition (Junior Division and High School Division), Texas All-State Band placement, and more. In addition to their competitive success, they have also had the privilege of being showcased in Lincoln Center’s Alice Tully Hall. Quantum Quartet attend Hebron High School.


3rd Place:  
Trio Centauri
San Jose CA

Trio Centauri
Formed in 2018, Trio Centauri is comprised of award-winning San Francisco Bay Area musicians: violinist Angela Tsang (15), cellist Fiona Tsang (14), and pianist Hannah Lin (17). Coached by incredible musicians Meichuan Song and Kaichi Zhu, Trio Centauri received awards from ENKOR Chamber Music Competition and Santa Cruz Baroque Festival Youth Chamber Music Competition in 2019.
    As active members of Bay Area Youth Music Society, Angela, Fiona, and Hannah have all received the Presidential Volunteer Service Award five years in a row. Besides performing in charity concerts three times a year, they play solo, ensemble, and orchestra works every other week at retirement and assisted living communities to bring the joy of live classical music to senior residences.
    Through excellent collaboration and a shared passion for music, Trio Centauri has become a unique group of musicians who are the best of friends.


Finalist Honorable Mention: 
Zeitlos Trio
Palo Alto  CA

Zeitlos Trio
Formed under the California Music Preparatory Academy, the Zeitlos Trio establishes itself as an ensemble of the highest caliber.  Violinist Laura Kim, cellist Shawn Hsu, and pianist Tia Chang all have prominent solo, orchestral, and chamber music experiences.  Under the tutelage of Jonathan Koh, the Zeitlos Trio is led to further their appreciation of the stories that each piece of music accompanies. With repertoires ranging from Mendelssohn to Schubert, these three young artists present music with passion and natural musicality.  They have won numerous prizes, including the first prize of VOCE State, the third prize of VOCE and the US Open Music Competition.  They also had the honor of performing in a masterclass given by the Grammy award winning Parker Quartet.



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Congratulations!

FInalists: STAGE DIRECTORS (theater/musical theater), The Charles Nelson Reilly Prize, 2019-20

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CNR in "The Life of Reilly"

The American Prize wishes everyone safety and health during this difficult time.

The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, chief judge, is pleased to announce NATIONAL FINALIST stage directors for 2019-20 —The Charles Nelson Reilly Prize, in the THEATER/MUSICAL THEATER division. Congratulations!

(There are two divisions this year—one for opera directors, a second for theater and music theater directors. First-place awards will be presented in each category. The OPERA division of the directing competition will be announced on Friday, May 22, 2020 at 5pm.)

Runners-up and winners will be selected from these lists. To know the exact date when winners and runners-up will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

Charles Nelson Reilly was a Tony Award-winning actor and Broadway stage director, and an acclaimed opera director and teacher. Far more than the zany television personality by which he was most often identified, Reilly nurtured the creation of a whole series of unique one-person stage plays. Most famously, he directed Julie Harris in her Tony Award-winning star turn in "The Belle of Amherst", on the life and poetry of Emily Dickinson. Among Reilly's many Broadway directing credits were Ira Levinʼs "Break a Leg", Larry Shueʼs "The Nerd", and the revival of "The Gin Game", starring Julie Harris and Charles Durning, for which Mr. Reilly was the sole American director to be nominated for a Tony in 1997. Mr. Reillyʼs career as an opera director included productions for Chicago Opera Theater, Dallas Opera, San Diego Opera, Palm Beach Opera, Toledo Opera, Milwaukee Opera and Opera Pacific. Charles Nelson Reilly and The American Prize chief judge David Katz were friends for three decades, first meeting through their mutual Hartford voice teacher, Mrs. Friedrich Schorr. Mr. Reilly served as honorary chairperson of the Friedrich Schorr Memorial Performance Prize in Voice from the competition's founding in 1990, until his death. To read more about the career of Charles Nelson Reilly,.

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.


(REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


NATIONAL FINALISTS: The American Prize in Directing—The Charles Nelson Reilly Prize, 2019-20, theater/musical theater division

Belinda Andrews-Smith        
Denison University 
Granville OH         
Chicago        

Geoffrey Arndt
Saint Patrick Summer Theatre           
Chicago  IL       
Sweeney Todd

Geoffrey Arndt
Saint Patrick High School      
Chicago  IL       
We All Rise Above

Katharine Clarke
Endicott College   
Beverly  MA                    
Shrek the Musical     

Lori Lane
Artios Academies of Greenville       
Greenville SC       
Jane Eyre the Musical      

Dr Darren P. Lawson
Bob Jones University
Greenville SC         
Titanic: The Musical  

Joshua May
Schwob School of Music—Columbus State University    
Columbus GA                    
Speed Dating Tonight!

David Ronis
University of Wisconsin—Madison          
Madison  WI         
Into The Woods             

David Schwingle            
Bob Jones University
Greenville SC    
King Lear

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Congratulations to all finalists.

We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! Our ensemble has just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in the division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.

Finalists: CONDUCTORS (orchestra), 2019-20

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If there ever were a year to encourage conductors and all performing artists—to thank them for their service to music, to music education and to enriching their players and audiences with the spiritual nourishment that only the arts can provide—this is the year. The talented individuals listed below all deserve some good news at such a dark time for the world.

We anticipate winners and runners-up in the orchestral conducting category will be announced in June. —DK


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce 2019-20 FINALIST conductors in orchestra divisions. Congratulations!

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until complete the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

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NATIONAL FINALISTS: The American Prize in Conducting—professional orchestra division, 2019-20

Roberta Carpenter
Hradec Kralove Philharmonic 
Oconomowoc WI 

Steve Lewis
Midwest Chamber Ensemble
Overland Park KS 
 
Ryan Murray
Modesto Symphony
Modesto CA 

Victor Shlyakhtenko  
South Coast Symphony
Orange County CA 

Markand Thakar
Baltimore Chamber Orchestra 
Baltimore MD 



NATIONAL FINALISTS: The American Prize in Conducting—college/university orchestra division, 2019-20

Ricardo Averbach
Miami University Symphony Orchestra 
Oxford  OH   

John Young Shik Concklin
Vanderbilt University Orchestra
Nashville TN   
 
Daniel Cook
Northwestern University Chamber Ensemble
Evanston IL   

Robert Denham
Biola Conservatory New Music 
La Mirada CA   

Dr. Thomas Dickey
OSU Symphony Orchestra
Stillwater OK   

Jeffrey Klefstad
All University Orchestra-Carnegie Mellon University
Pittsburgh PA   

Hon Pan Benson Lee
TCU Chamber Orchestra
Fort Worth TX   

Michael Moore
Bob Jones University
Greenville SC   

Ryan Murray
Sacramento State Symphony Orchestra 
Sacramento CA   

Joel Neves
Keweenaw Symphony Orchestra 
Houghton MI   

Ian Passmore
Indiana University Symphony Orchestra 
Bloomington IN   

David A. Rahbee
University of Washington Symphony Orchestra 
Seattle WA   

Ji Hyun Yim
U-Wisconsin Symphony Orchestra
Madison WI   
Chad Hutchinson conductor
  

NATIONAL FINALISTS: The American Prize in Conducting—community orchestra division, 2019-20

David Anderson
Lake Geneva Symphony Orchestra 
Lake Geneva WI   

Kaleb Benda
Oklahoma Chamber Symphony
Oklahoma City OK   

Daniel Bruce
Burlington Civic Symphony
Burlington VT   

Richard B. Brunson 
Marshfield Symphony Orchestra 
Marshfield WI   

Dr. Thomas Rainey
Williamson County Symphony Orchestra 
Round Rock TX 

Ivan Shulman
Los Angeles Doctors Symphony  
Los Angeles CA   

Michael Isadore 
Houston Civic Symphony
Houston TX   

Taka Matsunaga
Midwest Philharmonic Orchestra 
Schaumburg IL   

Verena Mosenbichler-Bryant
Durham Medical Orchestra
Durham  NC   

Mark Perlman 
Willamette Falls Symphony, Tualatin
Oregon City and Tualatin OR   

David P. Sartor
Parthenon Chamber Orchestra 
Nashville TN   

Martha Stoddard
Oakland Civic Orchestra 
Oakland CA   

Scott E. Woodard 
Charleston Chamber Orchestra  
Charleston WV   

Ji Hyun Yim
Madison Medical Orchestra 
Madison WI


NATIONAL FINALISTS: The American Prize in Conducting—youth & school  orchestra division, 2019-20

Orlando Cela
North Carolina Governor's School  Orchestra
Arlington MA   

Mary Gerard
All About Music San Diego
San Diego CA   

Michael Webster
Houston Youth Symphony
Houston TX   

Kevin Pearce
Lone Star Youth Orchestra
Irving  TX   

Ulli Reiner
Bernardo Heights/Twin Peaks HS Symphony
Poway CA 

Alex Wise
MISA Summer Festival Youth Orchestra 
Shanghai China   

Michael Shane Wittenburg
Elite Academy for Strings Chamber 
Englewood Cliffs  NJ   



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We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! I've just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in my division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.


Winners: MEN in ART SONG & ORATORIO, The Friedrich & Virginia Schorr Memorial Awards, 2019-20

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Schorr as Wotan, Bayreuth

The American Prize wishes everyone safety and health during this difficult time.
 


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is honored to announce the winners, runners-up, honorable mentions and citation recipient of The American Prize in Vocal Performance—men in art song, 2019-20—The Friedrich and Virginia Schorr Memorial Awards. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

Please make us aware of any misprints: theamericanprize@gmail.com

The American Prize in Vocal Performance—Friedrich and Virginia Schorr Memorial Award honors the memory of the greatest Wagnerian baritone of his age, Friedrich Schorr, who commanded the operatic stage between the world wars, and his wife, Virginia Schorr, who taught studio voice at the Manhattan School of Music and the Hartt School of Music for nearly fifty years. The Prize recognizes and rewards the best performances by classically trained vocalists in America in 2018-19, based on submitted recordings.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


The American Prize in Vocal Performance—men in art song (professional division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Bryan Pinkall 
Manhatan KS

Bryan Pinkall 
Dr. Bryan Pinkall is an Assistant Professor of Voice at Kansas State University.  He is a Grammy-winning soloist and chorister with the Kansas City Chorale and has worked in production management for the Emmy-winning 2014 Olympic Winter Games Opening Ceremony in Sochi, Russia, the 2016 Olympic Games Opening Ceremony in Rio de Janeiro, Brazil, and the World Meeting of Families Papal Mass in Philadelphia.

Dr. Pinkall was a Kauffman Scholar at the University of Missouri Kansas City (DMA) and an Ellen Battell Stoeckel Fellow at Yale University.  He was named Distinguished Kansan of the Year in Performing Arts in 2014 by the Topeka Capital Journal and was a National Quarterfinalist for the Grammy Music Educator Award in 2018 & 2019.

Dr. Pinkall received his solo Carnegie Hall debut in 2014 and his World War recitals have premiered many new works and lost music, with audio/visual content, to audiences around the world including the Eisenhower Presidential Library, National World War II Museum in New Orleans, the National World War I Museum in Kansas City, and Sydney Opera House.


2nd Place:
Patrick Muehleise 
Hoffman Estates  IL

Patrick Muehleise 
Praised for his “real musicality and finely executed coloratura,” Patrick Muehleise, tenor, is known for his “beautiful, evenly produced lyric tenor” and “pure tone” specializing in a wide variety of concert soloist repertoire. Recent engagements include Mozart’s Requiem with Xian Zhang at the Aspen Music Festival, Monteverdi’s Vespers of 1610 under the baton of Jane Glover, Handel’s Messiah with Winston-Salem Symphony, Mendelssohn’s Elijah with Fort Wayne Philharmonic, Bach’s B Minor Mass with Back Bay Chorale of Boston and the Charlotte Bach Festival, Reich’s The Desert Music with New World Symphony, Orff’s Carmina Burana with Long Beach Camerata, Rossini’s Petite messe solennelle with the University of Wisconsin-La Crosse, and Bach’s Coffee Cantata, Handel’s Messiah and Acis and Galatea with Seraphic Fire. This summer, Mr Muehleise will return to the world-renowned Aspen Music Festival for his second year as Artist-Faculty in partnership with the Grammy-nominated Seraphic Fire Professional Choral Institute. For booking and more information, visit www.patrickmuehleise.com


3rd Place:
Daniel Kamalic 
Rochester    NY 

Daniel Kamalic 
Lyric-dramatic tenor Daniel Kamalić has been praised for his “big, stunning voice” (Chris Buchanan, Berkshire Fine Arts) with “exciting, tremendous force and a burnished tonal quality” (Larry Kellum, Town Times).  2017-18 saw international soloist debuts for Mr. Kamalić with the Israel Chamber Orchestra (Der Kaiser von Atlantis) and with the Medulin Classic Festival in Croatia (Trio Veljak), as well as with the New York State Ballet (Carmina Burana), New Opera NYC (The Golden Cockerel), New Rochelle Opera (The Merry Widow), and concerts with Miami Lyric Opera and Opera Theater of Connecticut.  Other highlights:  Lensky in Eugene Onegin (Connecticut Lyric Opera), Luigi in Il Tabarro (Garden State Opera), Turiddu in Cavalleria Rusticana (Pioneer Valley Symphony), Turiddu/Canio in Cav/Pag (Maryland Lyric Opera), Alfredo in La Traviata (Long Island Opera).  An champion of new music, he has performed in numerous opera premieres, most recently the title role in Sawyer’s The American Prize-winning The Scarlet Professor (Five College Opera) in Massachusetts last season, and the Gestapo Officer in the orchestral premiere of Detrick’s The Yellow Star (Garden State Opera), and the role of Pietro Botto in the upcoming premiere of Santelli's The Silk City (Garden State Opera).  http://www.kamalic.com



The American Prize in Vocal Performance—men in art song (college/university division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Mats Roolvink
Singapore

Mats Roolvink
Mats is a 21-year-old Dutch-American voice student at Mozarteum University in Salzburg.  He recently won 3rd Prize at the Neapolitan Masters International Singing Competition Young Singer Category in Naples Italy.  This summer he will be taking on his first opera role as Figaro in Lyric Opera Studio Weimar’s production of Le Nozze di Figaro in Germany.  

Mats is known for his musicality, and a mature, darkly-colored sound.  "The voice has sweetness and power, very beautiful, very rare."- Barbara Bonney

Besides studying with Professor Barbara Bonney, another benefit of being in Salzburg is that Mats gets to share the stage with some of opera's greatest luminaries including Ricardo Muti, Christian Thielemann, Anna Netrebko, Anja Hateros, and Rene Pape as a member of Salzburger BachChor.

Mats grew up singing in the local school choirs in Singapore.  He spent the last two years of high school at the Walnut Hill School for the Arts in Boston. 
 

2nd Place (there was a tie):
Wooju Kim
Busan  South Korea

Wooju Kim
WOOJU KIM, a baritone currently pursuing Master of Music in The New School - Mannes School of Music in 2019 under the tutelage of Arthur Levy. He is a recipient of the Merit-based Scholarship at the Mannes. He has received B.A. at Yonsei university in 2016. He has performed as Figaro in Le Nozze di Figaro, the opera gala in Busan National University in 2009. He has performed several professional concerts with many orchestras while studying at Yonsei University. He also has participated Académie Internationale d'Etéde Nice, Technique Vocale er Interprétation & Interprétation chant et piano - Lorraine NUBAR Dalton BALDWIN 2010. He is also a 1st place winner from the Dream Music competition in Seoul in 2016 and Grand Prize winner of Metropolitan International Vocal Competition in New York 2018, 1st prize winner of LYRA New York International Competition 2018, 1st prize winner of CONCERT ARTISTS INTERNATIONAL competition 2019.


2nd Place (there was a tie):
Dennis Patrick Ryan     
Jewett City      CT

Dennis Patrick Ryan     
Degrees from Florida International University (BA) and the University of Kansas (MM), pursuing an Artist Diploma and DMA at the Hartt School. Roles in opera include Colline, Commendatore, Dottore Grenvil, Dr. Bartolo, Simone (Schicchi.) Concert roles include Messiah and Brahms Requiem, Schubert Mass in G. Coaches include Robert Barefield (previous Schorr winner), Doris Lang Kosloff, Stella Zambalis.


3rd Place:
Morgan Manifacier
Stony Brook    NY

Morgan Manifacier
French tenor Morgan Manifacier has sung under the direction of conductors Mark Shapiro, Daniel Beckwith, Christopher Fecteau, David Lawton, Benoît Renard, and Douglas Martin. A versatile and engaging singer, he is a sought-after interpreter of repertoire spanning from the Renaissance to the newest of contemporary music and has performed both in the United States and in Europe.

Morgan is a fellowship recipient from SongFest, the International Baroque Academy, and the AlpenKammerMusik Festival, and has performed with dell’Arte Opera Ensemble, Amherst Music Festival, Manhattan Opera Studio, Stony Brook Opera, Respiro Opera NYC, and Martina Arroyo’s Role Performance Program.

Morgan is pursuing his Doctor of Musical Arts degree in Voice Performance at Stony Brook University under the tutelage of Randall Scarlata. He received his Bachelor's degree from Holy Names University, and his Master's degree from LIU, Post. Major voice teachers include Lee Steward, Neal Harrelson, and Robert C. White Jr. www.morganmanifaciertenor.com



The American Prize in Vocal Performance—men in art song (high school division),  2019-20, The Friedrich and Virginia Schorr Memorial Awards

The American Prize winner:
Pablo Rubin-Jurado
New York NY  

Pablo Rubin-Jurado
Pablo Rubin-Jurado has been in the Juilliard pre-college program since 2013, first as a composition major from 2013-2017, then as a voice major from 2017-present. He’s been in the NYYS Composition Program since 2015, and was a finalist for the ASCAP competition in both 2017 and 2019. In 2012, he sang “Amahl” in "Amahl and the Night Visitors" by Menotti at the Hawaii Performing Arts Festival. In 2013, he was the understudy for "Real Jake" in the Metropolitan Opera’s "Two Boys" by Muhly. As a guest artist at HPAF In 2014, he played “Miles” in “The Turn of the Screw” by Britten. In the American Protégé International Vocal Competition, he won first place and a judges’ distinction award in 2014, 2nd place in 2016, and sang in the 10th Anniversary Showcase at Stern Auditorium in 2017. That year, he also won 2nd place in the Hal Leonard Vocal competition. In the New York Lyric Opera competition, he won a 2nd place in 2017, 2018, and 2019. Also in 2018, he won the grand prize, best vocal technique, and most expressive performer awards in the Forte International Music Competition; a grand prize in the Enkor International Music Competition; a first place in the Rondo Vanguard Competition (which he also won in 2019); and a second place in the Schmidt Vocal Competition. That year, he also sang in the Sala Silvestre Revueltas in Mexico City as part of the play “Aqui es Opera de los Pedregales.” In 2019, he won first place in The American Prize competition for his division.


2nd Place (there was a tie):
Morgan Hunt
Tiburon  CA

Morgan Hunt
Morgan Hunt is a seasoned performer having appeared in numerous vocal, theatrical and instrumental productions. He was a national semi-finalist in NY Lyric Opera’s Vocal Competition (2018) and Classical Singer’s Vocal Competition (2019 and 2018, High School Musical Theatre). In 2018, he was a finalist in Marin Music Chest’s Vocal Competition (Classical Voice). Since 2012, he’s been cast in seventeen musical theatre productions, most recently as Jean Valjean (Les Miserables) and Corny Collins (Hairspray). A talented trombonist, Morgan was chosen to play at Carnegie Hall with the Honors Performance Series Band (2016) and at the Apollo Theater during the NY Jazz Festival (2017). He's a member of his high school’s Advanced Jazz and Symphonic Bands. Morgan is finishing up his junior year in high school and is planning to study Music/ Performing Arts in college.
 

2nd Place (there was a tie):
Nathan Schludecker   
Terre Haute  IN     

Nathan Schludecker   
Baritone, Nathan Schludecker, from Terre Haute, Indiana, is a freshman at the University of Cincinnati-College Conservatory of Music studying Voice under the tutelage of renowned Bass-Baritone, Kenneth Shaw. Before attending CCM, he studied with Dr. Colleen M. Davis in her private studio.

Nathan has won many awards. They include awards from National YoungArts, the Schmidt Vocal Competition in Chicago, NATS, the Hal Leonard Vocal Competition, and the Classical Singer Competition.
           
Nathan has attended several summer programs. He has attended the Boston University Tanglewood Institute and the Mikael Eliasen Voice Program at the Curtis Institute of Music. During this past summer, Nathan performed in Falstaff at the International Summer Opera Festival of Morelia. He is currently a member of CCM’s premiere Chamber Choir under the baton of Earl Rivers. He has performed recently in L’enfant et les sortile’ges with Grammy Award winning Mezzo-Soprano, Isabel Leonard along with the Cincinnati Symphony Orchestra. Nathan will also be performing in CCM’s graduate opera, The Magic Flute. This summer, Nathan will be attending the Chautauqua Institution and LA Songfest. 


3rd Place: 
Andreas Ghosh 
New York NY

Andreas Ghosh 
Andreas Ghosh began formal singing training with the Metropolitan Opera’s Children’s chorus in 2009.  He entered Diller-Quaile School of Music in 2012, where he complemented his study of voice with musicianship and sight reading.  From 2016 until the present, Andreas participated in the New York State School Music Association (NYSSMA) Evaluation Festivals.  On his most recent evaluation as a Level IV baritone, Andreas earned his highest marks for interpretation and vocal technique. He studies voice under Dr. John Howell, concentrating on French and German art songs as well as early Italian arias.  His choral commitments include the Trinitones, an acapella group at Trinity School, and the New York City Children’s Chorus.  With the NYCCC, he sings in the classical “Music on Madison” concert series, and has appeared in a Nintendo commercial, on NBC’s Today Show, and is currently recording a holiday CD to be released in December 2019 .



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Congratulations!

Finalists: STAGE DIRECTORS (opera)—The Charles Nelson Reilly Prize, 2019-20

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CNR in "The Life of Reilly"

The American Prize wishes everyone safety and health during this difficult time.

The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, chief judge, is pleased to announce NATIONAL FINALIST stage directors for 2019-20 —The Charles Nelson Reilly Prize, in the OPERA division. Congratulations!

(There are two divisions this year—one for opera directors, a second for theater and music theater directors. First-place awards will be presented in each category. The MUSICAL THEATER division of the directing competition was announced on Tuesday, May 19, 2020 at 5pm on this blog.)

Runners-up and winners will be selected from these lists. To know the exact date when winners and runners-up will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

Charles Nelson Reilly was a Tony Award-winning actor and Broadway stage director, and an acclaimed opera director and teacher. Far more than the zany television personality by which he was most often identified, Reilly nurtured the creation of a whole series of unique one-person stage plays. Most famously, he directed Julie Harris in her Tony Award-winning star turn in "The Belle of Amherst", on the life and poetry of Emily Dickinson. Among Reilly's many Broadway directing credits were Ira Levinʼs "Break a Leg", Larry Shueʼs "The Nerd", and the revival of "The Gin Game", starring Julie Harris and Charles Durning, for which Mr. Reilly was the sole American director to be nominated for a Tony in 1997. Mr. Reillyʼs career as an opera director included productions for Chicago Opera Theater, Dallas Opera, San Diego Opera, Palm Beach Opera, Toledo Opera, Milwaukee Opera and Opera Pacific. Charles Nelson Reilly and The American Prize chief judge David Katz were friends for three decades, first meeting through their mutual Hartford voice teacher, Mrs. Friedrich Schorr. Mr. Reilly served as honorary chairperson of the Friedrich Schorr Memorial Performance Prize in Voice from the competition's founding in 1990, until his death. To read more about the career of Charles Nelson Reilly,.

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.


(REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


NATIONAL FINALISTS: The American Prize in Directing—The Charles Nelson Reilly Prize, 2019-20, opera division 

Dean Anthony              
SUNY Potsdam—Crane School of Music   
Potsdam  NY                
MAYO (Cipullo)

Marc Callahan             
University of North Carolina at Chapel Hill
Chapel Hill  NC         
One Who Says Yes (Der Jasager) (Weill)         

Marc Callahan             
University of North Carolina at Chapel Hill
Chapel Hill  NC         
Alcina (Handel)

Tracelyn Gesteland            
University of South Dakota Opera     
Vermillion  SD         
The Consul            

Rachel M. Harris
Heartland Opera    
Joplin   MO                    
La Boheme   

Rachel M. Harris
University of Missouri
Kansas City  MO         
La Finta Giardiniera (Mozart)

Rachel M. Harris
Loyola University
New Orleans  LA    
New Orleans  LA         
Cendrillon  (Massenet)        

Melanie Helton
Michigan State University Opera Theatre   
East Lansing  MI                    
Die Fledermaus        

David Holley
University of NC—Greensboro
Greensboro NC                    
Falstaff              

Dr. Leigh Holman
University of Colorado Boulder       
Boulder  CO         
Eugene Onegin         

Joshua  May
Schwob School of Music—Columbus State University  
Columbus GA         
Cendrillon (Viradot) 

Dugg McDonough            
Turner-Fischer Center for Opera at Louisiana State University  
Baton Rouge LA         
Elizabeth Cree (Puts)       

Josh Shaw
Pacific Opera Project
Los Angeles CA         
Madama Butterfly     

Javque Trussel      
Purchase Opera, Conservatory of  Music—SUNY    
Purchase NY            
Confession, Suor Angelica, Gianni Schicchi       

Copland Woodruff             
Lawrence University
Appleton WI         
Mass (Bernstein)


*** 

Congratulations to all finalists.

We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! Our ensemble has just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in the division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.

RULE CHANGES / EASED REQUIREMENTS in response to COVID when you APPLY for 2020-21 contests

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In response to unprecedented national and international events surrounding the COVID virus, we are CHANGING RULES and EASING REQUIREMENTS for all contests in 2020-21 to make it easier to apply. Questions? Please email us at theamericanprize@gmail.com

Taking advantages of any of these changes in no way negatively affects a contestant's application or eligibility.

Application forms and full information on the website: www.theamericanprize.org
(Click on “competitions” to get started.)

***

ALL CONTESTS:
    DEADLINES:
Later application DEADLINES are in place for all contests. See individual competitions for current deadlines. (We will be especially flexible with deadlines this season, knowing the challenges many artists face preparing their materials.)
    AGE of RECORDINGS:
There are no limits on the age of recordings. We will now accept recordings made in any season in all contests.

***

COMPOSERS:
    MIDI or SYNTHESIZED RECORDINGS:
If readings or performance recordings of composers' music are not available, we will accept midi, synthesized or computer generated recordings in all divisions.
    NEW PDF OPTION:
Although sending two printed copies of scores is still preferred (enclose a stamped self-addressed envelope minimum size 11x14 inches to have scores returned at the end of the contest) we understand that requirement is not possible for everyone this contest year. We now accept PDFs of scores attached to online applications. Please identify PDFs clearly. (Only one copy of the PDF need be sent.)
    OPERA/THEATER/FILM/DANCE DIVISION:

In the OPERA / THEATER / FILM / DANCE division, we will accept "concert" (unstaged) and computer generated performances.
    NEW CATEGORY:
A new category for composers has been added for POPS / LIGHT MUSIC in the CHAMBER MUSIC composition contest.

***
CONDUCTORS and ENSEMBLES in ALL DIVISIONS:
    NO LIMITS on WHEN RECORDINGS were made:
There are no limits on the age of recordings. We will now accept recordings made in any season in all contests.
    NEW:    ORCHESTRAL PROGRAMMING:
Programs of concerts may be in draft form and need not have actually been performed.
    NEW: EDUCATION PRIZE:
A new contest this season recognizes the best programs in arts education. Find it on the arts marketing page, here: http://www.theamericanprize.org/adminmarketing.html

***

SINGERS and SOLO INSTRUMENTALISTS:
    ACCOMPANIMENTS:
Pre-recorded accompaniments will be accepted.
    NEW:    HIGH SCHOOL VOCAL DIVISIONS:
Only two pieces are required in the art song or opera contests, one of which must be in English.
   

***

PIANISTS:

    SECOND PIANO—CONCERTO DIVISION:
This year we will accept concerto performances with the accompaniment performed by a second pianist (or pre-recorded.)
    ONE MOVEMENT—CONCERTO DIVISION:
In the high school division, only a single concerto movement need be performed.

***


"We at The American Prize wish all our laureates, contestants, judges, friends and their families health and safety during this difficult time."
---DK

Finalists: OPERA PRODUCTIONS, 2019-20

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The American Prize wishes everyone safety and health during this difficult time.


The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce NATIONAL FINALISTS in opera performance for 2019-20. Congratulations!

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

(REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


NATIONAL FINALISTS: The American Prize in Opera Performance—professional division, 2019-20

Heartland Opera      
Rachel M. Harris
Joplin  MO      
La Boheme           

Queen City Opera     
Isaac Selya
Cincinnati OH
Iolanta    
          
Pacific Opera Project
Josh Shaw 
Los Angeles  CA
Madame Butterfly / Magic Flute 

 
NATIONAL FINALISTS: The American Prize in Opera Performance—college/university division,  2019-20

Arizona State University Music Theatre    
Brian DeMaris              
Tempe    AZ 
Mass (Bernstein)
                 
University of Missouri Rachel M. Harris
Kansas City  MO         
La Finta Giardiniera           

University of NC at Greensboro David Holley
Greensboro  NC        
Falstaff            

Eklund Opera
University of Colorado       
Leigh Holman
Boulder  CO        
Eugene Onegin             

Turner-Fischer Center for Opera at
Louisiana State University   
Dugg McDonough            
Baton Rouge  LA      
Elizabeth Cree (Puts)              

Moores Opera Center
University of Houston       
Buck Ross 
Houston    TX    
School for Scandal (Nelson / Ross)               

The Crane School of Music   
SUNY Potsdam        
Kirk Severtson            
Potsdam    NY
MAYO (Cipullo)                     

Purchase Opera
SUNY Purchase      
Jacque Trussel, director / Margaret Vignola, assistant director
Hugh Murphy, conductor  
Confession / Suor Angelica / Gianni Schicchi                 

Lawrence University  
Copeland Woodruff             
Appleton   WI   
Mass (Bernstein)   

***


We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! Our ensemble has just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in the division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.

Finalists: ORCHESTRAS, 2019-20

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The American Prize wishes everyone safety and health during this difficult time.

"Some terrific repertoire—and some equally terrific performances—these orchestras are all worthy of every encouragement at this terrible time. We will get through this, and great music, as it always has, will help us to get there. We may not have figured out how it will happen yet, but I know it will. Safety and health, everyone!—DK

The American Prize National Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, founder and chief judge, is pleased to announce FINALIST orchestras for 2019-20 in all divisions. Congratulations!

Runners-up and winners will be selected from this list. To know the exact date when results will be announced, please like our Facebook page or follow us on Twitter #AmericanPrize, where that information will be published first.

All contestants are reminded they are responsible for the viability of their online links to audition materials. Those links must remain active until the end of the contest year. Questions, or to make us aware of any misprints in the listings below, please email: theamericanprize@gmail.com

"At The American Prize, there is never a set number of finalists in any category or division. We also try hard to not be about "winners" and "losers," but always seek to encourage excellence, creativity and imagination. That is one reason why we post the following statement with every finalist listing."—DK

If you are not a finalist this year, please remember that the contests are not yet over. The American Prize reserves the right to award Honorable Mentions and Citations for Special Achievement to any contestant, regardless of final placement. TAP has honored a number of semi-finalists and quarter finalists in the past--to recognize a unique talent or focus, unusual repertoire, vital programming or outreach. Citations and Honorable Mentions are usually awarded at the same time as winners and runners-up, but can be presented at any time up to the last winners' announcement of the contest year.
 
We invite finalists to make the most of their selection by announcing it on their facebook page, tweeting the news, and including a link to this announcement on their website or blog. A sample announcement may be found at the end of the post.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.


NATIONAL FINALISTS: The American Prize in Orchestral Performance—professional division, 2019-20

Jason  Lim
McKinney Philharmonic
McKinney TX

Cape Cod Chamber Orchestra         
Matthew Scinto 
Harwich Port  MA     

Missouri Symphony Orchestra        
Ji Hyun Yim, guest conductor
Columbia  MO     
Kirk Trevor, music director

 
NATIONAL FINALISTS: The American Prize in Orchestral Performance—college/university division,  2019-20

Miami University Symphony Orchestra     
Ricardo Averbach
Oxford   OH    

OSU Symphony Orchestra 
Dr. Thomas  Dickey 
Stillwater   OK     

William & Mary Symphony Orchestra  
David Grandis
Williamsburg VA    

Baylor University Symphony Orchestra        
Stephen Heyde  
Waco    TX     

Davidson College Symphony Orchestra
Tara Villa Keith  
Davidson NC     

Sacramento State Symphony Orchestra
Ryan Murray 
Sacramento   CA    

University of Washington Symphony Orchestra  
David A. Rahbee 
Seattle  WA     

University of Kansas Symphony Orchestra 
Carolyn Watson 
Lawrence KS 



NATIONAL FINALISTS: The American Prize in Orchestral Performance—community orchestra division, 2019-20

Lake Geneva Symphony Orchestra     
David Anderson
Lake Geneva  WI     

Clark College Orchestra
Donald L. Appert 
Vancouver WA     

Texas Medical Center Orchestra     
Patricia Brown  
Houston  TX    
Libi Lebel, conductor      

Arlington Philharmonic Orchestra   
Orlando Cela
ArlingtonMA     

Carlisle Chamber Orchestra         
Kathleen Chick  
Carlisle MA     
Alan Yost, conductor        

Seattle Collaborative Orchestra    
Anna Edwards
Seattle  WA     

Williamson County Symphony Orchestra
John B. Gordon 
Round Rock   TX     
Dr. Thomas Rainey, conductor      

Los Angeles Doctors Symphony       
Andrew  Hasel  
Los Angeles  CA     
Ivan Shulman, conductor    

Midwest Philharmonic Orchestra     
Taka Matsunaga          
Schaumburg   IL     

Poway Symphonette  
Ulli Reiner 
Poway  CA

Waynesboro Symphony
Charles Salembier          
Waynesboro   VA     
Peter Wilson, conductor

Parthenon Chamber Orchestra        
David P. Sartor 
NashvilleTN     

South Texas Symphonic Orchestra    
Nancy Scarsdale          
San Antonio  TX     
Dr. Ronnie Sanders, conductor       

Detroit Medical Orchestra          
Sydney  Schaaf 
Detroit  MI     
Zeljko Milicevic, conductor 



NATIONAL FINALISTS: The American Prize in Orchestral Performance—youth orchestra division, 2019-20

All About Music San Diego          
Mary Gerard 
San Diego  CA     

Houston Youth Symphony 
Sarah D. Loudermilk         
Houston  TX     
Michael Webster, conductor  

Denver Young Artists Orchestra     
Kelly   Waltrip
Denver   CO     
Wes Kenney, conductor

Elite Academy for Strings Chamber  
Michael Shane Wittenburg         
Engelwood Cliffs  NJ    



NATIONAL FINALISTS: The American Prize in Orchestral Performance—high school orchestra division, 2019-20

Sartartia HS Symphony Orchestra    
Sophia  Hsien  
Sugar Land   TX     

Beckman HS String Orchestra        
Jim Kollias
Irvine   CA     

Denver School of the Arts Orchestra
Enrique Lasansky
Denver   CO     

Seven Lakes HS Symphony Orchestra  
Desiree Overree
Katy  TX     

Seven Lakes HS Sinfonia Orchestra  
Desiree Overree
Katy  TX     

Stephen F. Austin Camerata         
Ann Victor 
Sugar Land  TX     



***

We invite finalists to make the most of their selection by announcing it on social media, and including a link to this announcement on their website or blog.

Here is a sample announcement:

"Great News! Our ensemble has just been selected as a finalist in the (blank) division of The American Prize national non-profit competitions in the performing arts. Here's the link: (copy link here). The American Prize will be announcing results in the division soon. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize"

Please feel free to modify or expand this announcement to suit your needs.

Congratulations to all finalists.


  

Winners: COMPOSERS (band division), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.
 


The American PrizeNational Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, chief judge, is honored to announce the winners, runners-up and honorable mentions of The American Prize in Composition, 2019-20, in the band/wind ensemble division. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

QUICKNOTES: Although The American Prize does not usually provide written evaluations to semi-finalists, some semi-finalist composers will receive in their certificate packets short comments, suggestions or overall impressions made during the judging. We hope they will prove valuable. All finalists receive written evaluations from a member of The American Prize judging panel.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

Please make us aware of any misprints: theamericanprize@gmail.com


The American Prize in Composition—Band/Wind Ensemble (professional division), 2019-20

The American Prize winner:
Shawn E. Okpebholo  
Wheaton  IL      
This is Africa   

Shawn E. Okpebholo  
Shawn E. Okpebholo is a widely sought-after and award-winning composer whose music has been described as having “enormous grace…, fantasy, and color”, comfortably composing in various styles and genres. Recent awards include: second place in The American Prize Composition Competition (professional and orchestral division), winner of the Adams-Owens Composition Prize, the Flute New Music Consortium Composition Competition, and the Sound of Late Call for Collaborators Competition. A regularly commissioned composer, his music has been performed on five continents, all across the United States, and at some of the nation's greatest concert venues, including Carnegie Hall and the Kennedy Center. He earned his masters and doctoral degrees in composition from the University of Cincinnati, College-Conservatory of Music, bachelor’s degree from Asbury College, and has had additional studies in film scoring at New York University. Currently, he is Associate Professor of Music Composition and Theory at Wheaton College-Conservatory of Music. For a complete bio, visit: www.shawnokpebholo.com.


2nd Place: 
Larry Tuttle     
Van Nuys  CA      
Big World, Utopia Rising 

Larry Tuttle     
Larry Tuttle writes iconic and optimistic music with a strong sense of story and narrative arc. His music is driven by 21-st Century rhythms and sensibilities, while being rooted with the power of archetypal musical elements.

Larry won the Pittsburgh Symphony’s 2014 Audience of the Future Composition Competition with his work CHORALE AND FIDDLE TUNE.  His concert overture BY STEAM OR BY DREAM won second prize at the 2016 Keuris Composers Competition in The Netherlands, in the category of Youth Symphony Orchestra, and his wind ensemble piece TO A LOST WORLD finished as first runner-up in the 2018 World Projects Composition Contest.

Larry is a composing and performing member of Composers Ensemble of Los Angeles, a workshop group dedicated to the development of new music.  Larry is also renowned as a master of the Chapman Stick.  You can find out more about his music at www.larrytuttle.com.


3rd Place:
Gregory Fritze     
Daytona Beach  FL      
The Four Seasons

Gregory Fritze     
Gregory Fritze is a prize-winning composer and Fulbright Scholar. His compositions have been performed more than one thousand times in twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists.  He won over sixty composition awards including First Prize in 2017 WASBE (World Association of Symphonic Bands and Ensembles) Composition Contest, First Prize Winner in Concurso Tenerife, Spain and others. Several professional ensembles have commissioned and played his music including the Rhode Island Philharmonic, The Army Band “Pershing’s Own”, The Banda Municipal of Madrid, and others. His music is published by several publishers in the US, South America and Europe and recorded on Albany Records, MSR Classics and others. He has been a guest lecturer at many universities and music festivals in the United States, Canada, Japan, South America and Europe. He taught at Berklee College of Music as Professor and Chair of Composition from 1979 to 2016. He has Composition degrees from the Boston Conservatory and Indiana University with Distinction.


Finalist Honorable Mention:
Adrienne Albert     
Los Angeles  CA      
COURAGE for Winds 

Adrienne Albert     
Award-winning composer Adrienne Albert (ASCAP) has had her chamber, choral, vocal, orchestral and wind band works performed throughout the U.S. and across the globe.  Her music is widely known for its “melodic and lyrical beauty” and “whimsy and playfulness”.  Having previously worked as a singer with composers such as Stravinsky, Bernstein, Glass, and Schuller to name a few, Albert began composing her own music in the 1990s.  Her music has been supported by noteworthy arts organizations including the National Endowment for the Arts, ACF, Meet The Composer/Rockefeller Foundation, Subito Awards, MPE Foundation, ACME, and yearly ASCAP awards.  She has been composer-in-residence and a visiting composer at numerous colleges and universities in NY, California, Alaska, and Colorado.  A graduate of UCLA, Albert studied composition with Stephen Mosko, and orchestration with Albert Harris.   Her music is widely recorded, published by Kenter Canyon Music (ASCAP) and can be found on her website: adriennealbert.com


Finalist Honorable Mention:
David Avshalomov 
Santa Monica  CA       

Lifeboat Variations 
David Avshalomov 
David Avshalomov is a distinguished third-generation American classical composer and conductor, and an accomplished vocalist. He was born in New York City in 1946, grew up in Oregon, and has long lived in Santa Monica, California. He represents a musical lineage (on his father’s side) whose story stretches from the Caucasus to Siberia, through China, to the US.

As a young student, David studied piano, music theory, and percussion. He learned the joys of madrigal singing at home, sang in school and professional choruses, and played timpani in school and professional orchestras (soloing in the Milhaud concerto with the Harvard Orchestra). He began composing (self-taught) in middle school, and wrote and conducted his first choral compositions for his high school choir. He earned degrees in music from Harvard (B.A., Magna cum Laude and Phi Beta Kappa) and in orchestral conducting from the University of Washington (where he wrote a noted Doctoral dissertation on the Five Pieces for Orchestra of Arnold Schoenberg), with further conducting studies at Peabody, Aspen, and Tanglewood. His conducting teachers included George Bell, Stanley Chapple, Leo Mueller, Jean Morel, Henry Holt, Samuel Krachmalnick, Herbert Blomstedt, Werner Torkanowsky, Seiji Ozawa, and Leonard Bernstein. His composition teachers included Charles Jones (at Aspen); and John Verrall, Robert Suderberg, and William Bergsma (at UW). 


Finalist Honorable Mention:
Howard J. Buss
Lakeland  FL      
Vibrant Horizons 

Howard J. Buss
Howard J. Buss’ compositions have been performed in 50+ countries and are often featured at music festivals by musicians from universities as well as current and former members of organizations such as The Boston Symphony, Minnesota Orchestra, U.S. Army Field Band, and Chicago Symphony. Buss’ 180 published compositions include solo, chamber, symphonic, and band works.
        
Recently his “The Three Sackbuteers Enter Valhalla” won the composers’ competition of American Trombone Workshop and his “Reflections on the Last Post” for tuba and band won the composition contest of the Army Band’s Tuba-Euphonium Workshop. His music is recorded on the Albany, Bottega Discantica, Crystal, Capstone, DUX, Equilibrium, HoneyRock, IBS Classical, PL Productions, Ravello, Urania, and C. Alan Publications labels.
         
Buss received a B.A. from West Chester University, M.M.s from Michigan State University, and D.M.A. in Composition from the University of Illinois. He is the editor of Brixton Publications. Website: www.brixtonpublications.com/howard_j_buss-2.html
       
 

Finalist Honorable Mention:
Cooper Minnis     
St. Louis  MO      
The Darkest Hour 

Cooper Minnis     
Cooper Minnis was born and raised in Saint Louis, MO. As a freshman in high school Cooper won a competition for writing the first original fight song entitled “Greyhound Pride” for Clayton High School in honor of its centennial anniversary. Three years later he was selected as principal tuba for the 2010-2011 season of the Saint Louis Symphony Youth Orchestra.

In 2011 Cooper matriculated to George Mason University where he studied composition. Cooper graduated Magna Cum Laude. In 2014, Cooper won first place in the Webster University Young Composer's Competition for his woodwind quartet “Giggles,” and in 2015 received honorable mention in the Claude T. Smith Band Composition Contest for his work, “The Darkest Hour.” Cooper also received a full scholarship to participate in the 2015 NYU/ASCAP Summer Film Scoring Workshop.

Recent accomplishments include completing three books entitled “The Art of Melody” which contain thirteen 19th and 20th century art song transcriptions for tuba, euphonium, trumpet, and piano accompaniment. In 2017 these books were selected for the Missouri State High School Activities Association's (MSHSAA) Prescribed Music List. Cooper maintains his love for low brass by teaching
private lessons regularly.


The American Prize in Composition—Band/Wind Ensemble (student division), 2019-20

The American Prize Winner:
Jorge Machain    
Henderson  NV      
Bite the Bullet     

Jorge Machain    
Born in 1993, Jorge Machain is a native of Mexico who currently resides in Las Vegas. Jorge graduated from UNLV with a Bachelor of Music in Jazz Composition and is currently working towards completing his Master of Music in Jazz Composition. He composes for both classic and jazz ensembles. Jorge has been commissioned by notable concert ensembles just such the UNLV Wind Orchestra, under the direction of Thomas G. Leslie, as well as the Las Vegas Academy of Performing Arts Wind Ensemble and Choir. In addition, Jorge has written for the downbeat award winning UNLV Jazz Ensemble I which has recorded his pieces on multiple CD’s and has played these works in festivals such as the Monterey Jazz Festival. For more info, check out his website at https://www.jorgemachain.com.  


2nd Place:
Teddy Mason
East Providence  RI      
Sea of Clouds 

Teddy Mason
Having had several concert band works recently performed by college ensembles, youth wind ensembles and high school bands, Teddy Mason is making a mark as a music education and composition student and starting his sophomore year of college.  Having begun studying music composition as a senior in high school, Mason has written over twelve complete works for concert band and orchestra. He has received praise and accolades from numerous band and orchestra conductors and has been asked to share his works with groups throughout Rhode Island and Massachusetts.  He plays the trumpet in wind ensembles, orchestras, jazz and marching bands and as such enjoys literature from all genres and time periods.  Drawing on musical influences around him and tapping into personalized inspiration within him, Mason's musical attitude is highly driven to fulfill a music education and composition career.


3rd Place (there was a tie):
Martin Hebel
Hamden  CT      
Tides Within

Martin Hebel
Martin Hebel composes expressive, emotionally direct music for a wide variety of ensembles.
  
In his orchestral compositions, Martin explores strategies for engaging new audiences, seeking to enrich and enhance concert experiences for contemporary listeners, combining varied traditional symphonic forms with his contemporary harmonic language.

 Martin Hebel’s Symphony No.3 in E Minor: Concert in Three Acts, second place winner of the 2019 American Prize and National Finalist in the 2015 Morton Gould Young Composer Awards, was recorded by Mikel Toms and the Brno Philharmonic Orchestra and released internationally in August 2016 by ABLAZE Records. 

Born in Hamden, Connecticut in 1990, Martin Hebel received his M.M. in composition from the University of Cincinnati College-Conservatory of Music in 2018 where he studied with Douglas Knehans and Ellen Ruth Harrison. He graduated with honors from the University of Connecticut in 2015, where he studied composition with Dr. Kenneth Fuchs.


3rd Place (there was a tie):
Zachary Ploeger    
Pipestone  MN      
Symphony No. 1         

Zachary Ploeger    
Zachary S. Ploeger is quickly emerging as one of the most promising musicians of his generation. As an active conductor, trumpeter, and composer, he is constantly in demand. At 24 years of age, he has already performed for audiences all around the world.

Zach is currently pursuing a doctorate in trumpet performance at the University of Minnesota where he holds a Music Fellowship and studies with Professor Marissa Benedict. He recently completed a master's degree at Arizona State University where he was the Rafael Mendez Scholar in Brass. At ASU he studied with Regents Professor David Hickman, one of the most highly regarded trumpet pedagogues of all time. Zachary also holds undergraduate degrees in trumpet performance and composition from Western Michigan University, where he graduated summa cum laude. At WMU, Zach studied with Professor Scott Thornburg, trumpet, and Dr. Richard Adams, composition.

Zachary has received numerous awards and accolades. Among them are five “American Prize” awards for excellence in the field of music composition. He is also frequently commissioned and his works regularly performed. Recent engagements include the Mivos String Quartet, the Western Michigan University Symphonic Band, the International Trumpet Guild, and many prominent soloists. A CD of his own original trumpet works composed and performed by Zachary has been released. And an album of standard trumpet repertoire is currently in progress.




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Congratulations!

Winners: COMPOSERS (major choral works), 2019-20

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The American Prize wishes everyone safety and health during this difficult time.
 


The American PrizeNational Nonprofit Competitions in the Performing Arts, David (Volosin) Katz, chief judge, is honored to announce the winners, runners-up and honorable mention of The American Prize in Composition, 2019-20, in the major choral music division. Winners in the choral division (shorter works) will be announced in the next post, today at 6 pm. Congratulations!

Complete listings of finalists and semi-finalists in The American Prize competitions may be found elsewhere on this blog. Please use the chronological tool in the right-hand column to find specific results.

QUICKNOTES: Although The American Prize does not usually provide written evaluations to semi-finalists, some semi-finalist composers will receive in their certificate packets short comments, suggestions or overall impressions made during the judging. We hope they will prove valuable. All finalists receive written evaluations from a member of The American Prize judging panel.

REMINDER: Because of the current national and international situation, many rules have been changed and requirements eased to make it easier to apply for The American Prize 2020-21, In addition, we will accept applications from CLASSICAL VOCALISTS, PIANISTS, CHAMBER ENSEMBLES and INSTRUMENTAL SOLOISTS postmarked or emailed by the new extended deadline date of Monday, June 23, 2020. Applications from COMPOSERS, CONDUCTORS, STAGE DIRECTORS, CONDUCTED ENSEMBLES, ARTS MARKETERS and in the performance of American Music (BACON AWARD) will be accepted until Monday, July 20, 2020. Visit theamericanprize.org for complete contest information.

Please make us aware of any misprints: theamericanprize@gmail.com


The American Prize in Composition—Major Choral works (professional division), 2019-20

The American Prize winner:
John Muehleisen 
Mukilteo  WA       
But Who Shall Return Us Our Children: 

A Kipling Passion    
John Muehleisen 
John Muehleisen’s 150+ vocal and choral works have been described as “masterful …imaginatively harmonized…beautifully realized…and brilliantly crafted.” He has been Composer-in-Residence for Opus 7 Vocal Ensemble since 1996, for the Dale Warland Singers (2003–2004), and for Choral Arts Northwest (2011-2012, 2016–2017). Other commissioning ensembles include Conspirare, The Esoterics, Harvard Glee Club, Seattle Girl’s Choir, Seattle Pro Musica, and Volti. More than 80 of his compositions have been recorded commercially, and his works have been performed throughout North America, Europe, and Asia by esteemed conductors including John Alexander, Anton Armstrong, and Craig Hella Johnson. His oratorios about compassion (Pietà) and WWI (But Who Shall Return Us Our Children – A Kipling Passion) have received more than 20 performances. Awards include the 1988 Louisville Orchestra Composition Prize, the 2014 Dale Warland Singers Commissioning Award, and Third Place (2013) & Honorable Mention (2018) in the American Prize Professional Choral Composition Division.


2nd Place & Special Judges' Citation: 
Outstanding Achievement in Orchestration & Scoring
Robert G. Patterson  
Memphis   TN       
Requiem     

Robert G. Patterson  
Robert G. Patterson resides in Memphis, Tennessee. His music is infused with the popular rhythms and melodic fragments around him, and these provide source material for his personal voice. A student of George Crumb and Don Freund, he is a resident composer with the Luna Nova Ensemble. Recent accomplishments include commissions from Opera Memphis, the One Coin Concert series in Osaka, Japan, and First Prize in the NATS Art Song Composition Award. His Requiem for massed choir, soloists, and orchestra received its premiere in November, 2018 by the Rhodes Mastersingers and Memphis Symphony Orchestra.

In addition to his musical activities, Patterson also has been a professional software developer. This led him to become an expert in musical engraving using a computer. His Patterson Plug-Ins Collection for Finale software is a staple of composers and copyists worldwide.
 

3rd Place (there was a tie):
Julian David Bryson     
Jacksonville         FL       
The Field      

Julian David Bryson     
Julian David Bryson (www.julianbryson.com) is Director of Choral Studies at Jacksonville University (FL) and a founding member of Triad: Boston’s Choral Collective.  He holds a doctoral degree in Choral Conducting from the University of Kentucky, writing his dissertation on choral collectives. He also earned degrees in conducting and composition from the University of Tennessee.  His A Parable of Choices won the Yale Glee Club Emerging Composers Competition and is a finalist for the American Prize.  Redemption Mass won the American Choral Directors Association Brock Memorial Student Composition Competition, and the Florida Vocal Association commissioned Clarion Call for their All-State Men’s Chorus and Concert Band.  Other recent commissions include San Jacinto College (TX), Hazel Green United Methodist Church (AL), the University of Kentucky, First Baptist Church of Huntsville (AL), and the Huntsville Community Chorus, among several other organizations.  Previously, he taught musicians at Curry College in Milton, MA, the Randolph School of Huntsville, AL and Carlisle School of Martinsville, VA, also accompanying community, regional, and state music events including Alabama and Kentucky All-State Choirs.  


3rd Place (there was a tie):
Timothy C. Takach     
Big Lake  MN       
Helios

Timothy C. Takach     
With music reviewed as “gorgeous” (Washington Post) and “stunning” (Lawrence Journal-World), award-winning composer Timothy C. Takach is applauded for his melodic lines and rich, intriguing harmonies. Takach has been commissioned and performed by the St. Paul Chamber Orchestra, Roomful of Teeth, the St. Olaf Band, Cantus, Lorelei Ensemble, VocalEssence, the DeBartolo Performing Arts Center, The Rose Ensemble, and numerous other organizations. His compositions have been performed on A Prairie Home Companion, The Boston Pops holiday tour, multiple All-State and festival programs and at venues such as the Library of Congress, Kennedy Center and Royal Opera House Muscat. He is a co-creator of the theatrical production of All is Calm: the Christmas Truce of 1914, by Peter Rothstein. He has frequent national work as a composer-in-residence, presenter, conductor, clinician and lecturer. He is a full-time composer and lives in Minneapolis with his wife and two sons. For more information visit TimothyCTakach.com.


Finalist Honorable Mention:
Aaron Alter      
Carlsbad  CA       
Lo Lanu Ha-Shem (a setting of Psalm 115)         

Aaron Alter      
 Chicago-born composer Aaron Alter received his Bachelor of Music degree from Northwestern University, where he studied piano with Frances Larimer and Gui Mombaerts, and composition with Lynden DeYoung and David Noon. He received his Master of Fine Arts Degree from Princeton University, where he studied with Milton Babbitt and James K. Randall.

Aaron’s new music, first performed in 2015, to which he refers as his “New Beginning,” is an exploration of a new style and energy that defies categorization.  Works such as "Solar Rays" (winner of a Silver Medal at the 2018 Global Music Awards) and "Vanilla, Chocolate and Strawberry" defy genres and exist in Classical ensemble and Jazz Big Band versions. His music can be found on recordings on the Sarton and Phasma Music labels. He is a regular contributor of compositions to the repertoire of the The New Mexico Performing Arts Society and Composers Concordance in New York.


Finalist Honorable Mention:
Allan Laino      
Mt. Rainier  MD        

Gloria   
Allan Laino      
Allan Laino is a conductor, composer, educator, singer, and keyboard artist in the DC metro area. He made his debut on the Kennedy Center stage as a choral conductor for the 41st Annual Kennedy Center Honors, leading The Washington Chorus in a tribute performance with the Philip Glass Ensemble for 2018 honoree Philip Glass. As Assistant Conductor for The Washington Chorus, Laino stepped in on short notice to finish choral preparation for the world premiere of Auerbach’s ARCTICA with the National Symphony Orchestra. He directs The Catholic University Singers at the Rome School of Music, Drama, and Art. He also serves as Associate Conductor of The Washington Chorus, and Director of Music Ministry at Western Presbyterian Church. He completed his DMA in Choral Conducting at the University of Maryland, College Park. He earned his MFA in Choral Conducting and BA in Voice at the University of California, Irvine.

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